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Two Roman sarcophagi located outside the Baptistery of Florence and now kept in the Museum of the Opera of the Cathedral; in the foreground the sarcophagus with the bride and groom at the door of Ade guarded by Mercury; Photo studio

Two Roman sarcophagi located outside the Baptistery of Florence and now kept in the Museum of the Opera of the Cathedral; in the foreground the sarcophagus with the bride and groom at the door of Ade guarded by Mercury; Photo studio


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Two Roman sarcophagi located outside the Baptistery of Florence and now kept in the Museum of the Opera of the Cathedral; in the foreground the sarcophagus with the bride and groom at the door of Ade guarded by Mercury; Photo studio

Two Roman sarcophagi located outside the Baptistery of Florence and now kept in the Museum of the Opera of the Cathedral; in the foreground the sarcophagus with the bride and groom at the door of Ade guarded by Mercury; Photo studio Florence. Date of Photograph:1930-1931

Balocchi Vincenzo
BVA-S-000341-2579

Media ID 33175234

© Alinari Archives, Florence

Baptistery Gate Fence Sarcophagus Wrought Metal Applied Arts And Crafts


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EDITORS COMMENTS
This photograph captures the timeless beauty of two Roman sarcophagi, once located outside the Baptistery of Florence but now housed in the Museum of the Opera of the Cathedral. The intricate details and craftsmanship of these ancient artifacts are brought to life through the lens of Balocchi Vincenzo's photo studio. In the foreground stands a remarkable sarcophagus depicting a bride and groom at the door of Ade, guarded by Mercury. This scene evokes a sense of mystery and intrigue, as if peering into an otherworldly realm. The delicate features carved into this stone masterpiece showcase both artistic skill and religious symbolism. The backdrop showcases another magnificent sarcophagus, its presence adding depth to this visual narrative. These sculptures serve as silent witnesses to centuries past, preserving stories that have withstood the test of time. The wrought metal gate fence surrounding these sacred objects adds an additional layer of protection while also enhancing their aesthetic appeal. It serves as a reminder that these works are not mere decorations but rather significant pieces within Christian history. As we gaze upon this photograph taken between 1930-1931 in Florence, we cannot help but be transported back in time. We are reminded that art is not limited to canvas or paintbrushes; it can be found in every corner where human creativity has left its mark. Balocchi Vincenzo's masterful composition allows us to appreciate these extraordinary sculptures from multiple angles, capturing their essence for generations to come. Through his lens, he invites us on a journey through history and invites us to contemplate our place within it.

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