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San Luca Evangelista, bas-relief, detail of the funerary monument of Pope Paul II, Mino da Fiesole (1429-1484), today in the Ottagoni above the transept of the Basilica of San Pietro (formerly Necropoli Costantiniana and Vatican Caves), Vatican City
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San Luca Evangelista, bas-relief, detail of the funerary monument of Pope Paul II, Mino da Fiesole (1429-1484), today in the Ottagoni above the transept of the Basilica of San Pietro (formerly Necropoli Costantiniana and Vatican Caves), Vatican City
San Luca Evangelista, bas-relief, detail of the funerary monument of Pope Paul II, Mino da Fiesole (1429-1484), today in the Ottagoni above the transept of the Basilica of San Pietro (formerly Necropoli Costantiniana and Vatican Caves), Vatican City State of the Vatican City Basilica of St. Pietro (formerly Necropoli Costantiniana and Vatican Grottoes) Low Relief, Basrelief Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1570 - 1590 ca.. Artist:Mino da Fiesole
Alinari
ACA-F-026354-0000
Media ID 33115251
© Alinari Archives, Florence
Bookrenaissance Evangelist Hand Low Relief Luke Niche Christian Religion Parts Of The Body
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EDITORS COMMENTS
This print showcases a remarkable detail of the funerary monument of Pope Paul II, located in the prestigious Basilica of San Pietro in Vatican City. The focal point of this image is the exquisite bas-relief sculpture depicting San Luca Evangelista, skillfully crafted by Mino da Fiesole during the Renaissance period. The photograph captures every intricate detail of this masterpiece, highlighting its Renaissance-Baroque style and period. The craftsmanship is truly awe-inspiring, showcasing Europe's artistic prowess from the First and Second Millennium A. D. This particular artwork dates back to 1570-1590. San Luca Evangelista stands elegantly within a niche above the transept of the basilica's Ottagoni section. Dressed in religious attire that reflects fashion trends from that era, his hand delicately holds an open book - possibly representing the Bible's New Testament or St. Luke's Gospel. The low relief technique used by Mino da Fiesole adds depth and dimension to this work of art. Every curve and contour on San Luca Evangelista's nude body is meticulously sculpted, emphasizing both his saintly nature and human form. As one gazes upon this print by Alinari, they are transported back in time to witness not only a stunning piece of sculpture but also an important symbol within Christian religion. It serves as a testament to Europe's rich cultural heritage while offering viewers an opportunity for reflection on faith and spirituality.
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