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Sepulcral inscription in two languages (Latin and Chinese) on the grave of the jesuitic missionary Matteo Ricci, in Chala, Beijing

Sepulcral inscription in two languages (Latin and Chinese) on the grave of the jesuitic missionary Matteo Ricci, in Chala, Beijing


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Sepulcral inscription in two languages (Latin and Chinese) on the grave of the jesuitic missionary Matteo Ricci, in Chala, Beijing

Sepulcral inscription in two languages (Latin and Chinese) on the grave of the jesuitic missionary Matteo Ricci, in Chala, Beijing. China Chala. Date of Photograph:1930-1950 ca

Unidentified Author
FVQ-F-142004-0000

Media ID 33299266

© Alinari Archives, Florence

China Frame Inscription Italy Low Relief Modern History Of Nations Peoples Territories Tombstone


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> Arts > Authors

> Arts > Contemporary art > Modern art > Sculpture

> Arts > Contemporary art > Sculpture > Modern art

> Arts > Modern art pieces

> Asia > China > Beijing

> Europe > Italy > Florence

> Europe > Italy > Sculptures

> Europe > Italy > Tuscany > Florence


EDITORS COMMENTS
This photo print, titled "FVQ-F-142004-0000" transports us to a significant historical site in Chala, Beijing. The image showcases a sepulcral inscription on the grave of Matteo Ricci, an influential Jesuit missionary. The inscription is intriguingly written in two languages: Latin and Chinese. The photograph was taken sometime between 1930 and 1950, capturing a moment that bridges the gap between modern history and ancient traditions. It serves as a testament to the enduring impact of communication throughout time. In this scene, we witness the power of writing as an instrument of communication. The low relief work on the tombstone reveals intricate details that speak volumes about China's rich cultural heritage and its interaction with foreign influences. Matteo Ricci's tombstone stands as both an object of reverence and a symbol of connection between nations and peoples. Its presence tells a story not only about Italy but also about China's openness to embracing new ideas from abroad. The composition is framed beautifully by an unidentified author who skillfully captures every nuance within this historical artifact. Through their lens, they invite us to reflect upon how communication has shaped our understanding of history itself. As we gaze upon this remarkable print from Alinari, we are reminded that even in silence, words can transcend time and space. This image invites us to contemplate the profound ways in which communication continues to shape our world today.

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