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Sixtus II led to martyrdom, stucco, Giacomo Serpotta (1656-1732), wall, Oratorio di San Lorenzo, Palermo

Sixtus II led to martyrdom, stucco, Giacomo Serpotta (1656-1732), wall, Oratorio di San Lorenzo, Palermo


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Sixtus II led to martyrdom, stucco, Giacomo Serpotta (1656-1732), wall, Oratorio di San Lorenzo, Palermo

Sixtus II led to martyrdom, stucco, Giacomo Serpotta (1656-1732), wall, Oratorio di San Lorenzo, Palermo Palermo Oratorio di S. Lorenzo, wall High Relief Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1902. Date of Artwork:1699. Artist:Serpotta Giacomo (1656-1732)

Anderson
ADA-F-029863-0000

Media ID 33149424

© Alinari Archives, Florence

Catholicism Clergy Columnbaroque Martyrdom Pope Prayer Tiara Miter Christian Religion Headdress Civilian


FEATURES IN THESE COLLECTIONS

> Architecture > Styles > Baroque Architecture

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Baroque paintings

> Europe > Italy > Sicily > Palermo

> Historic > Historical fashion trends > Baroque fashion trends

> Historic > Historical fashion trends > Renaissance fashion trends

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Baroque architecture

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Renaissance architecture

> Historic > Renaissance art


EDITORS COMMENTS
This photograph captures a stunning stucco artwork titled "Sixtus II led to martyrdom" by the renowned Italian artist Giacomo Serpotta. The artwork is located on the wall of the Oratorio di San Lorenzo in Palermo, Italy. The high relief sculpture showcases Serpotta's mastery of Baroque and Renaissance-Baroque styles, which were prevalent during Europe's first and second millenniums. Created in 1699, this masterpiece depicts an intense scene from Christian history. Intriguingly, the central figure portrayed is Pope Sixtus II, who was tragically martyred for his faith. His expression reveals both determination and devotion as he faces his impending fate with unwavering courage. Serpotta's attention to detail is evident in every aspect of this work. From the intricate folds of clothing adorning Pope Sixtus II to the meticulously crafted architectural elements surrounding him, every element contributes to a sense of grandeur and solemnity. The presence of a horse adds an unexpected dynamic to the composition, symbolizing terrestrial strength amidst spiritual struggle. This juxtaposition further emphasizes the significance of faith even in challenging times. Notably adorned with a tiara miter - a distinctive headdress worn by popes - Pope Sixtus II stands as an iconic representation of Catholicism and its rich history. Anderson's skillful photography beautifully captures this remarkable piece while preserving its historical context. Taken in 1902, this image allows us to appreciate Serpotta's artistry over three centuries later. As we gaze upon this photograph print from Alinari, we are transported back in time to witness not only an extraordinary work of sculpture but also a profound moment that encapsulates religious devotion throughout history.

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