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St. Andrew, the Tabernacle of Sixtus IV, the Vatican Grottoes, Vatican City

St. Andrew, the Tabernacle of Sixtus IV, the Vatican Grottoes, Vatican City


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St. Andrew, the Tabernacle of Sixtus IV, the Vatican Grottoes, Vatican City

St. Andrew, the Tabernacle of Sixtus IV, the Vatican Grottoes, Vatican City State of the Vatican City Vatican City, Vatican Grottoes Sculpture Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1902. Date of Artwork:1500 ca

Anderson
ADA-F-020355-0000

Media ID 33157174

© Alinari Archives, Florence

Andrew Book Instrument Or Object Sacred Book Christian Religion Parts Of The Body


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Baroque paintings

> Europe > Vatican City > Sculptures

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art > Renaissance sculpture

> Historical artwork

> Popular Themes > Human Body


EDITORS COMMENTS
This print captures the essence of St. Andrew, housed within the magnificent Tabernacle of Sixtus IV in the Vatican Grottoes of Vatican City. The artwork itself dates back to around 1500, showcasing a seamless blend of Renaissance and Renaissance-Baroque styles. Standing tall with an air of grace and wisdom, St. Andrew is depicted as a male figure, symbolizing his significance in Christian religion. Clutching a sacred book firmly in his hands, he exudes an aura of profound spirituality and devotion. The intricate details captured by Anderson's lens highlight not only the beauty but also the craftsmanship that went into creating this masterpiece. From the delicate folds of St. Andrew's robe to his meticulously sculpted beard, every aspect showcases the skillful artistry prevalent during this period. As we delve deeper into this photograph, it becomes evident that it represents more than just a religious icon; it serves as a testament to Europe's rich cultural heritage spanning over two millennia. It offers us a glimpse into both first and second millennium A. D. , reminding us of our shared history and collective human experiences. Anderson's composition transports us back to 1902 when this photograph was taken—a time when photography was still evolving as an art form itself—adding another layer to its historical significance. In conclusion, this remarkable print allows us to appreciate not only the artistic brilliance behind St. Andrew's portrayal but also invites contemplation on themes such as faith, history, and humanity—an enduring testament to our timeless quest for spiritual enlightenment.

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