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St. Lawrence among the prophets Isaiah and David. High-relief, long attributed to Mino da Fiesole. Sacristy of the church of St. Maria Maggiore, Rome
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St. Lawrence among the prophets Isaiah and David. High-relief, long attributed to Mino da Fiesole. Sacristy of the church of St. Maria Maggiore, Rome
St. Lawrence among the prophets Isaiah and David. High-relief, long attributed to Mino da Fiesole. Sacristy of the church of St. Maria Maggiore, Rome. Rome Basilica of Santa Maria Maggiore, sacristy High Relief Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:XV sec
Anderson
ADA-F-003133-0000
Media ID 33142186
© Alinari Archives, Florence
Acanthusearly Renaissance Bible Old Testament Herbaceous High Relief Isaiah Lawrence Literature And Fiction Niche People Prophets Putto Scene Means Of Communication Christian Religion
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EDITORS COMMENTS
This photograph captures a remarkable high-relief artwork titled "St. Lawrence among the prophets Isaiah and David". The piece has long been attributed to the renowned Italian sculptor Mino da Fiesole and is housed in the sacristy of the church of St. Maria Maggiore in Rome. The photograph, taken around 1890, showcases the intricate details of this early Renaissance masterpiece. The composition depicts St. Lawrence, a prominent figure in Christian religion, surrounded by two revered prophets from biblical times – Isaiah and David. Standing tall amidst lush vegetation adorned with acanthus leaves, these figures exude an aura of wisdom and divinity. The craftsmanship evident in this high relief sculpture is truly awe-inspiring. Every contour and expression on each face tells a story that transcends time. The delicate drapery flowing over their bodies adds a sense of movement to the scene, bringing it to life before our eyes. As we delve deeper into this artwork's historical significance, we are transported back to Europe during the first millennium AD when such masterpieces were created as expressions of faith and devotion. This particular work seamlessly blends elements from both Renaissance and Baroque styles, showcasing its timeless appeal. Anderson's skillful photography allows us to appreciate every detail captured within this frame – from the architectural niche housing this treasure to the exquisite depiction of each prophet alongside St. Lawrence himself. In conclusion, Anderson's photograph not only preserves an important piece of art history but also invites us into a world where spirituality meets artistic brilliance. It serves as a testament to human creativity across centuries while reminding us that beauty can be found even in seemingly ordinary corners like church sacristies.
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