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St. Matthew, detail of the Tabernacle of Sixtus IV, marble, Mino da Fiesole (1429-1484), Vatican Grottoes, St. Peter's Basilica, Vatican City
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
St. Matthew, detail of the Tabernacle of Sixtus IV, marble, Mino da Fiesole (1429-1484), Vatican Grottoes, St. Peter's Basilica, Vatican City
St. Matthew, detail of the Tabernacle of Sixtus IV, marble, Mino da Fiesole (1429-1484), Vatican Grottoes, St. Peter's Basilica, Vatican City State of the Vatican City St. Peter's Basilica, Vatican Grottoes Sculpture Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920. Date of Artwork:1450-1460 ca.. Artist:Mino da Fiesole
Anderson
ADA-F-020376-0000
Media ID 33145248
© Alinari Archives, Florence
Bible Old Testament Matthew Sacred Book Christian Religion Parts Of The Body
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This print showcases a mesmerizing detail of the Tabernacle of Sixtus IV, located in the Vatican Grottoes within St. Peter's Basilica, Vatican City. The artwork itself is an exquisite marble sculpture created by the renowned artist Mino da Fiesole during the years 1450-1460. The focal point of this image is none other than St. Matthew, depicted with remarkable precision and artistry. Standing tall amidst the intricate details of his surroundings, he exudes a sense of wisdom and devotion that befits his status as a revered saint in Christian religion. St. Matthew holds a sacred book in one hand, symbolizing his role as one of the four Evangelists who wrote the canonical Gospels. His other hand rests gently on an instrument, perhaps representing his connection to music or harmony. Mino da Fiesole's mastery shines through every element captured in this photograph - from St. Matthew's flowing robes and meticulously carved facial features to even the smallest nuances like his majestic beard. Transporting us back to Europe during the Middle Ages, this artwork evokes a profound sense of spirituality and reverence for ancient traditions. It reminds us of how art has always played an integral role in expressing religious beliefs throughout history. Dating back almost six centuries ago, this masterpiece continues to inspire awe and admiration today. Its presence within St. Peter's Basilica serves as a testament to its enduring significance within both artistic and religious realms. Through Anderson's lens, we are granted access to appreciate not only Mino da Fiesole's genius but also marvel at how time has preserved such invaluable treasures for generations to come.
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