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David and Goliath, capital of the church of Saint-Madeleine, Vezelay

David and Goliath, capital of the church of Saint-Madeleine, Vezelay


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David and Goliath, capital of the church of Saint-Madeleine, Vezelay

David and Goliath, capital of the church of Saint-Madeleine, Vezelay France Vezelay, Church of Saint-Madeleine Capital Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1965 ca.. Date of Artwork:1120-1132 ca

SDA-F-002362-0000

Media ID 33275051

© Alinari Archives, Florence

Armed Forces And Military Life Armor Arms Bible Old Testament Military Equipment Objectromanesque Of Physical Rapport People Sword Violence Society And Politics


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> Alinari > Stanimirovitch

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> Europe > France > Heritage Sites > VÚzelay, Church and Hill

> Europe > France > Military

> Popular Themes > Politics


EDITORS COMMENTS
This photograph captures the timeless artwork of "David and Goliath" a capital located in the church of Saint-Madeleine, Vezelay, France. The Romanesque masterpiece dates back to the early 12th century, between 1120-1132 AD. The image showcases the intricate details of this ancient sculpture, depicting the iconic biblical tale of David slaying Goliath. The artist's skill is evident in every stroke as he brings to life this legendary battle between good and evil. In this scene from physical rapport, we witness David, a young shepherd boy turned hero, wielding his sword with determination and courage. His eyes are focused intently on his formidable opponent while his muscular physique exudes strength and confidence. Goliath stands tall before him, an imposing figure adorned in armor that symbolizes military might. This portrayal serves as a reminder of the power dynamics prevalent during medieval times. Beyond its artistic significance, this photograph also offers glimpses into society and politics during the Middle Ages. It provides insight into fashion trends with its depiction of clothing worn by both men involved in this dramatic encounter. The image evokes emotions ranging from awe-inspiring admiration for David's bravery to an understanding of violence inherent within historical conflicts. It invites contemplation about armed forces and military life throughout history. As we admire this remarkable piece captured by Alinari around 1965 AD. , we are transported back through time to Europe's first millennium when such works were created to inspire faith and commemorate heroic acts like those found within biblical texts.

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