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Stucco panels by Giovanni da Udine, in a room of Villa Madama, Rome

Stucco panels by Giovanni da Udine, in a room of Villa Madama, Rome


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Stucco panels by Giovanni da Udine, in a room of Villa Madama, Rome

Stucco panels by Giovanni da Udine, in a room of Villa Madama, Rome Rome Villa Madama Low Relief, Basrelief Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1900 ca.. Date of Artwork:1518-1525. Artist:Giovanni da Udine, Giovanni di Nanni, known as

Anderson
ADA-F-017711-0000

Media ID 33146969

© Alinari Archives, Florence

Acanthus Brier Centaur Draperyrenaissance Herbaceous Hybrid Figure Instrument Or Document Lyre Music Ribbon Shell Greco Roman Vegetal Element Or Composition


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Bovidae > Ox

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Baroque paintings

> Europe > Italy > Friuli-Venezia Giulia > Udine

> Europe > Italy > Lazio > Rome

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art

> Historical artwork


EDITORS COMMENTS
This photograph captures the exquisite beauty of stucco panels by the renowned artist Giovanni da Udine, found within a room at Villa Madama in Rome. Dating back to the early 16th century (1518-1525), these intricate bas-reliefs showcase both Renaissance and Renaissance-Baroque styles, representing an important period in European art history. The composition of this print highlights various elements that make it truly remarkable. The viewer's attention is immediately drawn to a male figure playing a lyre, surrounded by terrestrial mammals and other vertebrates. This portrayal emphasizes the harmonious relationship between music and nature. Intriguingly, another focal point is a hybrid figure known as a centaur from Greek mythology, symbolizing the blending of human and animal characteristics. The presence of acanthus plants and vegetation further enhances the organic feel of this artwork. Delicate details such as ribbons, shells, and drapery add depth to the overall composition while showcasing Udine's mastery in capturing texture and movement. Each element seamlessly intertwines with one another, creating an enchanting visual narrative. Photographed around 1900 by Anderson from Alinari, this image not only preserves Udine's masterpiece but also provides us with a glimpse into Europe's rich artistic heritage during Greco-Roman times through its renaissance baroque influence. The print serves as both an aesthetic delight for art enthusiasts and historians alike. It reminds us of how art has transcended time to tell stories that continue to captivate audiences centuries later.

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