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Study of allegorical figures (pleasure, pain, envy). Drawing on white paper turned yellow by Leonardo da Vinci and preserved at the Christ Church of Oxford
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Study of allegorical figures (pleasure, pain, envy). Drawing on white paper turned yellow by Leonardo da Vinci and preserved at the Christ Church of Oxford
Study of allegorical figures (pleasure, pain, envy). Drawing on white paper turned yellow by Leonardo da Vinci and preserved at the Christ Church of Oxford. Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2001. Date of Artwork:1483-1485 ca.. Artist:Leonardo da Vinci (1452-1519)
PDP-S-000003-0099
Media ID 33194513
© Alinari Archives, Florence
Female Figure Male Figure Malehigh Renaissance Pain Abstract Concept And Symbol Concept Or Subject Expressed Pleasure Spite Type Of Representation
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EDITORS COMMENTS
This print showcases Leonardo da Vinci's "Study of allegorical figures (pleasure, pain, envy)" - a remarkable drawing on white paper that has turned yellow over time. Preserved at the prestigious Christ Church of Oxford, this artwork is a testament to da Vinci's genius and his profound understanding of human emotions. Created during the High Renaissance period between 1483-1485, da Vinci masterfully captures the essence of these abstract concepts through his meticulous strokes. The male figure represents pleasure, exuding an air of contentment and satisfaction. On the other hand, the female figure embodies pain and spite with her anguished expression and contorted body language. Envy lurks in their midst as an unseen presence, subtly hinted at by da Vinci's artistic prowess. The nude human bodies depicted in this artwork are characteristic of Renaissance art, showcasing both beauty and vulnerability. Da Vinci's attention to detail is evident in every line and curve, revealing his deep understanding of anatomy. This photograph was taken in 2001 with great precision to capture every nuance present in the original drawing. It allows viewers to appreciate not only da Vinci's technical skill but also his ability to convey complex ideas through visual representation. As we gaze upon this masterpiece from centuries ago, we are transported back to a time when Europe was flourishing with artistic innovation. This study exemplifies both Renaissance-Baroque styles and periods while serving as a timeless reminder of humanity's eternal struggle with pleasure, pain, and envy.
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