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Tapestry representing David Who Meets the Priest Achimelech, work kept in the Counterfacade of the Cathedral of Como
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Tapestry representing David Who Meets the Priest Achimelech, work kept in the Counterfacade of the Cathedral of Como
Tapestry representing David Who Meets the Priest Achimelech, work kept in the Counterfacade of the Cathedral of Como Como Cathedral Tapestry Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:XVI sec
Alinari, Fratelli
ACA-F-039428-0000
Media ID 33139924
© Alinari Archives, Florence
Armed Forces Armed Forces And Military Life Bible Old Testament Castle Maid Non Christian Religions Of Social Rapport Offering People Priest Story Of David Abstract Concept And Symbol Concept Or Subject Expressed Military And Defensive Of A Group Society And Politics Subject
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EDITORS COMMENTS
This print showcases a remarkable tapestry titled "Tapestry representing David Who Meets the Priest Achimelech" which is housed in the Counterfacade of the Cathedral of Como. The tapestry, created during the Late Renaissance period, beautifully combines elements of Renaissance and Renaissance-Baroque styles. The image captures a scene from biblical times as depicted in the Old Testament. In this particular moment, David encounters the priest Achimelech. The intricate details and vibrant colors bring to life this significant encounter between two historical figures. The composition portrays an allegory that goes beyond its religious context. It symbolizes themes such as offering, abstract concepts, and symbols while also showcasing a medieval castle in the background. This juxtaposition highlights both military and defensive structures alongside scenes depicting armed forces and military life. Amidst this rich visual narrative, we see various individuals dressed in period costumes reflecting fashion trends of that era. A maid stands beside David while men gather around them, creating a sense of social rapport within their group portrait. The presence of Achimelech adds another layer to this artwork by introducing non-Christian religions into focus. This inclusion speaks to broader societal dynamics prevalent during Europe's First and Second Millennium A. D. , where different faiths coexisted. Photographed sometime between 1920-1930 by Alinari Fratelli, this image not only preserves an artistic masterpiece but also serves as a testament to European history spanning centuries. Its traylate Renaissance style further emphasizes its significance within art movements throughout time. As we marvel at this photograph print today, it reminds us of how art can transcend boundaries - be it temporal or spiritual - leaving an indelible mark on our collective cultural heritage for generations to come.
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