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Terracotta bust depicting Christ, by Matteo Civitali, from the Apartment of Paul II in Palazzo Venezia, Rome
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Terracotta bust depicting Christ, by Matteo Civitali, from the Apartment of Paul II in Palazzo Venezia, Rome
Terracotta bust depicting Christ, by Matteo Civitali, from the Apartment of Paul II in Palazzo Venezia, Rome Rome Museum of Palazzo Venezia, Apartment of Paul II Bust Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920 - 1930 ca.. Date of Artwork:1436 - 1501. Artist:Civitali, Matteo
Anderson
ADA-F-024766-0000
Media ID 33146923
© Alinari Archives, Florence
Jesus Christ Christ Child Malerenaissance
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EDITORS COMMENTS
This photograph captures the intricate details of a terracotta bust depicting Christ, created by the renowned artist Matteo Civitali. The bust is housed in the Apartment of Paul II within Palazzo Venezia, Rome, adding to its historical significance. The craftsmanship of Civitali is evident in this Renaissance masterpiece, showcasing his mastery over sculpting techniques. The delicate features of Christ's face are exquisitely rendered, conveying a sense of serenity and divine grace. This artwork serves as a testament to Civitali's skill and his ability to breathe life into clay. Dating back to the period between 1436 and 1501, this terracotta bust represents an important era in European art history. It embodies both Renaissance and Baroque styles, reflecting the transition from one artistic movement to another during that time. As we gaze upon this photograph taken around 1920-1930, we are transported back through centuries of history. We can imagine how it must have felt for Pope Paul II himself when he resided in these very rooms adorned with such remarkable artworks. The Rome Museum of Palazzo Venezia preserves not only this extraordinary piece but also countless other treasures from different periods throughout Europe's first and second millenniums A. D. It stands as a testament to humanity's enduring fascination with religious iconography and our desire to capture divinity through art. Anderson's photographic print allows us to appreciate every intricate detail captured on film – each brushstroke brought vividly to life once more. This image invites us into a world where faith meets artistic expression; where beauty transcends time itself.
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