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Tile depicting the Virgin: fragment of the sarcofagus of Donato Acciaioli, in the Church of the Santissimi Apostoli, Florence, Tuscany

Tile depicting the Virgin: fragment of the sarcofagus of Donato Acciaioli, in the Church of the Santissimi Apostoli, Florence, Tuscany


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Tile depicting the Virgin: fragment of the sarcofagus of Donato Acciaioli, in the Church of the Santissimi Apostoli, Florence, Tuscany

Tile depicting the Virgin: fragment of the sarcofagus of Donato Acciaioli, in the Church of the Santissimi Apostoli, Florence, Tuscany Florence Church of the Santissimi Apostoli Low Relief, Basrelief Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1333. Artist:Florentine School

Alinari, Fratelli
ACA-F-031033-0000

Media ID 33124200

© Alinari Archives, Florence

Functions And Treatments For The Body Gothic Pain Virgin Mary Headdress Civilian


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EDITORS COMMENTS
This print showcases a remarkable tile depicting the Virgin Mary, which is actually a fragment of the sarcofagus of Donato Acciaioli. The tile can be found in the Church of the Santissimi Apostoli, located in Florence, Tuscany. Dating back to 1333 and belonging to the Florentine School, this piece represents an exquisite example of Gothic art from the Middle Ages in Europe. Its low relief and bas-relief technique add depth and intricacy to its design. The photograph itself was taken between 1920-1930 by Alinari, Fratelli. It beautifully captures every detail of this historical artwork that has withstood centuries. The image portrays a personification of the Virgin Mary dressed in period clothing and fashion typical for that era. Her headdress adds an air of elegance and grace to her appearance. As we delve into its significance beyond aesthetics, we are reminded not only of its religious connotations but also its cultural impact during medieval times. This tile holds immense value as it reflects both physiological and psychological aspects associated with devotion to faith. Furthermore, it serves as a visual representation from biblical texts found within the New Testament while providing insight into life during Europe's first and second millenniums AD. Alinari's photographic expertise allows us to appreciate this masterpiece even more by preserving its intricate details for generations to come. While commercial use may not be mentioned here, one cannot deny that this print offers an enriching experience for anyone interested in history or art appreciation alike.

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