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The tomb of Bishop Lorenzo Roverella, called Mausoleum Roverella, Ambrogio Barocci (active 1470-1517) and Antonio Rossellino (1427-1479), the cathedral of St. George the Martyr, Ferrara

The tomb of Bishop Lorenzo Roverella, called Mausoleum Roverella, Ambrogio Barocci (active 1470-1517) and Antonio Rossellino (1427-1479), the cathedral of St. George the Martyr, Ferrara


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The tomb of Bishop Lorenzo Roverella, called Mausoleum Roverella, Ambrogio Barocci (active 1470-1517) and Antonio Rossellino (1427-1479), the cathedral of St. George the Martyr, Ferrara

The tomb of Bishop Lorenzo Roverella, called Mausoleum Roverella, Ambrogio Barocci (active 1470-1517) and Antonio Rossellino (1427-1479), the cathedral of St. George the Martyr, Ferrara Ferrara church of S. Giorgio Martire Monument Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1900-1910. Date of Artwork:1475. Artist:Barocci, Ambrogio, Rossellino, Antonio

Alinari, Fratelli
ACA-F-010802-0000

Media ID 33111298

© Alinari Archives, Florence

Bishop Clergy Coat Of Armsrenaissance Life And Representations Of The Virgin Madonna And Child Niche Christian Religion Subject


FEATURES IN THESE COLLECTIONS

> Architecture > Cathedrals

> Architecture > Religious

> Architecture > Styles > Baroque Architecture

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Baroque paintings

> Historic > Historical fashion trends > Baroque fashion trends

> Historic > Historical fashion trends > Renaissance fashion trends

> Historic > Medieval architecture > Cathedrals and churches > Church history


EDITORS COMMENTS
This print showcases the magnificent tomb of Bishop Lorenzo Roverella, known as Mausoleum Roverella, located in the cathedral of St. George the Martyr in Ferrara. Created by renowned artists Ambrogio Barocci and Antonio Rossellino during the Renaissance period in 1475, this monumental artwork is a true testament to their exceptional craftsmanship. The photograph was taken between 1900-1910 by Alinari, Fratelli, capturing every intricate detail of this architectural masterpiece. The tomb is adorned with exquisite Renaissance-Baroque elements that reflect the artistic styles prevalent during that era. Intriguingly, an angelic figure stands beside a statue of Madonna and Child at one end of the tomb. The representation of life and religious subjects is evident throughout this awe-inspiring sculpture. The bishop's majestic coat of arms can be seen prominently displayed on various sections, symbolizing his esteemed position within the Christian clergy. The print also provides a glimpse into fashion trends from centuries ago as it captures figures dressed in traditional attire typical for males during that time period. This remarkable artwork not only serves as a memorial for Bishop Lorenzo Roverella but also represents an important historical artifact showcasing Europe's rich cultural heritage spanning over two millennia. As we admire this photograph today, we are transported back to a time when artistry flourished under the influence of Renaissance and Baroque styles. It reminds us how architecture and sculpture were used to convey profound religious messages while simultaneously displaying immense skill and creativity.

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