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Tomb of the twin brothers Francesco and Nicola Anguillara in the Church of Saint Francis in Capranica, Gothic work in which the sarcophagus rests on two spiral columns and the statues of the two brothers lie on an inclined plane
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Tomb of the twin brothers Francesco and Nicola Anguillara in the Church of Saint Francis in Capranica, Gothic work in which the sarcophagus rests on two spiral columns and the statues of the two brothers lie on an inclined plane
Tomb of the twin brothers Francesco and Nicola Anguillara in the Church of Saint Francis in Capranica, Gothic work in which the sarcophagus rests on two spiral columns and the statues of the two brothers lie on an inclined plane. Capranica Church of Saint Francis Funerary Monument Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca.. Date of Artwork:1408 ca
Brogi
BGA-F-018144-0000
Media ID 33166991
© Alinari Archives, Florence
Acanthus Brand Brother Sister Crest Death Herbaceous Maleearly Renaissance Nobility Of The Nobility Person And Social Status Pillow Tent Abstract Concept And Symbol Concept Or Subject Expressed Emblem Society And Politics
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EDITORS COMMENTS
This print captures the exquisite Tomb of the twin brothers Francesco and Nicola Anguillara in the Church of Saint Francis in Capranica. A true masterpiece of Gothic art, this funerary monument showcases intricate details that transport us back to the early Renaissance period. The focal point of this artwork is undoubtedly the sarcophagus, which rests gracefully on two spiral columns. The statues of the two brothers lie peacefully on an inclined plane, their figures exuding a sense of eternal tranquility. The tomb's design seamlessly blends elements from various styles and periods, including Renaissance-Baroque influences. As we delve deeper into this photograph, we notice several symbolic elements that add depth to its narrative. An angelic figure stands guard over the tomb, representing both protection and spiritual guidance for these departed souls. Their military clothing reflects their noble status within society during this era. The surrounding architecture showcases remarkable craftsmanship with acanthus plants adorning each corner as a symbol of rebirth and growth. A pillow-like object bearing a crest emblem further emphasizes their noble lineage. Dating back to approximately 1408 AD, this artwork serves as a testament to Europe's rich cultural heritage throughout centuries past. Its presence within the church speaks volumes about societal values during that time – honoring those who have passed away while celebrating their contributions to society. Through Brogi's lens, we are transported back in time to witness not only an architectural marvel but also a visual representation of brotherly love and remembrance captured forever in stone. This print encapsulates history itself – an abstract concept brought vividly to life through artistry and skillful photography techniques by Alinari studios between 1915-1920 AD.
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