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The village of Babati, in Tanzania, with a parked car

The village of Babati, in Tanzania, with a parked car


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The village of Babati, in Tanzania, with a parked car

The village of Babati, in Tanzania, with a parked car Tanzania Babati. Date of Photograph:1920 - 1940

Unidentified Author
BAQ-A-001052-0082

Media ID 33158036

© Alinari Archives, Florence

Automobile Black Africans Commercial Hotel Negroid Populations By Land Ethnography And Folklore On The Road Population And Nationality


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> Africa > Tanzania > Related Images

> Architecture > Country > Africa

> Architecture > Villages

> Arts > Authors

> Europe > France > Canton > Landes


EDITORS COMMENTS
This print transports us back in time to the village of Babati, nestled in the heart of Tanzania. Taken between 1920 and 1940 by an unidentified author, this snapshot captures a moment frozen in history. In the foreground, we see a parked car standing out amidst traditional huts and housing structures that make up the fabric of this rural community. The juxtaposition of modern transportation against the backdrop of ancient architecture is striking. It offers a glimpse into how progress has slowly made its way into remote corners of Africa. The scene depicts everyday life as villagers go about their activities on foot or bicycle along dusty roads. The presence of an automobile hints at changing times, perhaps signaling increased connectivity with neighboring towns or even urban centers further afield. The image also sheds light on the diverse population residing in Babati during that era. Black Africans, specifically negroid populations indigenous to Tanzania, are seen going about their daily routines – men wearing traditional attire while women gracefully balance objects atop their heads. Beyond its aesthetic appeal, this photograph holds anthropological significance as it provides valuable insights into local customs and traditions prevalent within Babati's community during those years. It serves as a window into Tanzanian folklore and ethnography for researchers seeking to understand cultural dynamics from that period. As we gaze upon this remarkable piece captured by Alinari's lens, we cannot help but marvel at how much has changed since then. Yet simultaneously appreciate how certain aspects have remained constant - like the resilience and spirit embodied by these villagers who continue to shape their own destiny amidst evolving times.

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