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The Virgin and Child. Detail from the Fonte Gaia by Jacopo della Quercia, until 1859 located in Piazza del Campo, then preserved in the Public palace, now in the Museum of Santa Maria della Scala, Siena
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The Virgin and Child. Detail from the Fonte Gaia by Jacopo della Quercia, until 1859 located in Piazza del Campo, then preserved in the Public palace, now in the Museum of Santa Maria della Scala, Siena
The Virgin and Child. Detail from the Fonte Gaia by Jacopo della Quercia, until 1859 located in Piazza del Campo, then preserved in the Public palace, now in the Museum of Santa Maria della Scala, Siena Siena Palazzo Pubblico Low Relief, Basrelief Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1972 ca.. Date of Artwork:1409-1419. Artist:Della Quercia Jacopo (1374-1438)
Alinari, Fratelli
ACA-F-063796-0000
Media ID 33137969
© Alinari Archives, Florence
Life And Representations Of The Virgin Madonna And Child Mantle Cloakrenaissance Headdress Civilian Subject
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EDITORS COMMENTS
This print showcases a breathtaking detail from "The Virgin and Child" by Jacopo della Quercia, a renowned Italian sculptor of the Renaissance period. The artwork was originally part of the Fonte Gaia, an exquisite fountain located in Piazza del Campo until 1859. It was then carefully preserved in the Public Palace before finding its current home in the Museum of Santa Maria della Scala in Siena. In this particular detail, we witness the profound bond between Mary and her divine child. The artist's skillful craftsmanship is evident as he captures their tender embrace with remarkable precision and emotion. The Madonna radiates serenity and grace while cradling baby Jesus lovingly in her arms. Della Quercia's attention to detail extends beyond his subjects' expressions; it also encompasses their attire. Both figures are adorned in elegant Renaissance costumes that reflect the fashion trends of that era. Mary wears a mantle cloak, symbolizing her revered status as she gazes upon her son with adoration. The composition exudes a harmonious blend of Renaissance and Baroque styles, showcasing Della Quercia's mastery over both periods. This fusion creates a visually striking piece that captivates viewers even centuries after its creation. As we delve into this photograph captured around 1972, we are transported back to early 15th-century Europe when religious art flourished alongside advancements in society and culture. Through this image, Alinari Fratelli allows us to appreciate not only Della Quercia's artistic brilliance but also the enduring impact of his work on our understanding of faith, history, and human connection across time.
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