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Third window of the faade of the Certosa of Pavia with a candelabrum and busts of bishops
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Third window of the faade of the Certosa of Pavia with a candelabrum and busts of bishops
Third window of the faade of the Certosa of Pavia with a candelabrum and busts of bishops. Pavia Monastery High Relief Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1875-1910. Date of Artwork:1497. Artist:Amadeo Giovanni Antonio (1447-1522)
Brogi
BGA-F-008217-0000
Media ID 33163184
© Alinari Archives, Florence
Bishop Bust Clergy Cornucopia Female Figure Garlandearly Renaissance Mask Tiara Miter Vase Wreath Abstract Concept And Symbol Christian Religion Headdress Civilian Type Of Representation
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EDITORS COMMENTS
This photograph captures the exquisite details of the "Third window of the façade of the Certosa of Pavia with a candelabrum and busts of bishops". The image showcases a remarkable high relief artwork from the Early Renaissance period, created by renowned artist Amadeo Giovanni Antonio in 1497. The composition is rich with symbolism and historical significance. In the foreground, a female figure stands gracefully, embodying an allegory or abstract concept. Adorned with a headdress, she holds a cornucopia overflowing with abundance and prosperity, representing her role as a bearer of blessings. An angelic figure hovers above her, playing an instrument that resonates heavenly melodies. The scene also features several meticulously crafted busts of bishops, symbolizing their prominent role within Christian religion. Each bishop wears distinctive clothing and accessories associated with their ecclesiastical position. Their presence adds depth to this artistic masterpiece while reflecting Europe's religious heritage during the First and Second Millennium A. D. Surrounding these figures are various objects such as vases, masks, wreaths, and garlands that further enhance the visual splendor. These intricate details showcase not only Amadeo Giovanni Antonio's exceptional craftsmanship but also exemplify elements from both Renaissance-Baroque styles and periods. Captured between 1875-1910 by photographer Brogi for Alinari's collection, this print preserves an invaluable piece of art history for generations to come. It allows us to appreciate the skillful fusion of early Renaissance aesthetics prevalent in Europe during that era. This photograph serves as an invitation to delve into centuries-old masterpieces like this one – where beauty intertwines with spirituality – offering us glimpses into our cultural past while inspiring awe in our present day.
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