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Home > All Images > 2018 > March > 27 Mar 2018

Images Dated 27th March 2018 (page 10)

5,429 items

Background imageImages Dated 27th March 2018: Receipt

Receipt confirming payment for a mahogany music chair manufactured by G.D. Fontaine, a cabinet maker and upholsterer in Covent Garden, London, dated 1805. Date: 1805

Background imageImages Dated 27th March 2018: Advertising leaflet

Advertising leaflet for silver and plated wares including table services, candlesticks, dishes, tureens and lamps manufactured by Spooner Clawes & Co. of Birmingham, printed in England c.1820-1830

Background imageImages Dated 27th March 2018: The First Interview, or Happiness Sacrifised to Riches

The First Interview, or Happiness Sacrifised to Riches
The FIRST INTERVIEW, or HAPPINESS SACRIFISED TO RICHES, hand-coloured mezzotint on laid paper, printed for and sold by Carington Bowles, London, 1784. Date: 1784

Background imageImages Dated 27th March 2018: Textile swatches

Textile swatches
A selection of seven textile samples which were found loose with in the volume and not associated with a particular page. Date: 1887-1894

Background imageImages Dated 27th March 2018: Capt Jessamy Learning the Proper Discipline of the Couch

Capt Jessamy Learning the Proper Discipline of the Couch
Mezzotint on laid paper entitled, CAPT JESSAMY learning the PROPER DISCIPLINE OF THE COUCH, hand-coloured with watercolour and gouache, printed and published in London by Carington Bowles in c.1782

Background imageImages Dated 27th March 2018: The Contemplative Charmer

The Contemplative Charmer
Mezzotint on laid paper, The Contemplative Charmer, extensively hand-coloured with watercolour and gouache, published by R. Sayer and J. Bennett in London in 1780. Date: 1780

Background imageImages Dated 27th March 2018: The Musical Charmer

The Musical Charmer, a woman seated in a domestic interior playing a stringed instrument, mezzotint print on laid paper hand-coloured with watercolour and gouache, by R. Sayer and J

Background imageImages Dated 27th March 2018: Interior with a couple playing cards

Interior with a couple playing cards, oil on canvas, signed by Nancy A Sabine Pasley, 1887-1891. Date: 1887-1891

Background imageImages Dated 27th March 2018: Back cover of Catalogue of Materials for House Painting

Back cover of Catalogue of Materials for House Painting
Catalogue of Materials for House Painting & Glazing, a hardback illustrated catalogue containing paint samples, produced by Jas. Nicholson & Co. London, and printed by Henry Drake & Co. London, 1893

Background imageImages Dated 27th March 2018: Page from Catalogue of Materials for House Painting and Gla

Page from Catalogue of Materials for House Painting and Gla
Catalogue of Materials for House Painting & Glazing, a hardback illustrated catalogue containing paint samples, produced by Jas. Nicholson & Co. London, and printed by Henry Drake & Co. London, 1893

Background imageImages Dated 27th March 2018: Bust in glass dome

Bust in glass dome
Glass dome with metal base

Background imageImages Dated 27th March 2018: Plate

Plate
One of three earthenware plates with a black and white transfer printed underglaze design in the centre and a zig-zag border around the rim, the pattern name is Pomona

Background imageImages Dated 27th March 2018: Elizabeth Wray, Baroness Norris, reverse

Elizabeth Wray, Baroness Norris, reverse
Portrait of Elizabeth Wray, Baroness Norris, holding a funerary wreath, oil on canvas by John Hayl, c.1638 and overpainted c.1645, in a gilded frame with moulded decoration. Date: c.1638-1645

Background imageImages Dated 27th March 2018: Frame for Elizabeth Wray, Baroness Norris

Frame for Elizabeth Wray, Baroness Norris
Portrait of Elizabeth Wray, Baroness Norris, holding a funerary wreath, oil on canvas by John Hayl, c.1638 and overpainted c.1645, in a gilded frame with moulded decoration. Date: c.1638-1645

Background imageImages Dated 27th March 2018: Elizabeth Wray, Baroness Norris, detail

Elizabeth Wray, Baroness Norris, detail
Portrait of Elizabeth Wray, Baroness Norris, holding a funerary wreath, oil on canvas by John Hayl, c.1638 and overpainted c.1645, in a gilded frame with moulded decoration. Date: c.1638-1645

Background imageImages Dated 27th March 2018: Title page from Illustrated Catalogue of Machine-Made and C

Title page from Illustrated Catalogue of Machine-Made and C
Illustrated Catalogue of Machine-Made and Cast Cabinet & Builders Brassfoundry, published by White & Pike Ltd. of Birmingham and London on 1 January 1897. Date: 1 January 1897

Background imageImages Dated 27th March 2018: Front cover of Illustrated Catalogue of Machine-Made and Ca

Front cover of Illustrated Catalogue of Machine-Made and Ca
Illustrated Catalogue of Machine-Made and Cast Cabinet & Builders Brassfoundry, published by White & Pike Ltd. of Birmingham and London on 1 January 1897. Date: 1 January 1897

Background imageImages Dated 27th March 2018: Page from Illustrated Catalogue of Machine-Made and Cast Ca

Page from Illustrated Catalogue of Machine-Made and Cast Ca
Illustrated Catalogue of Machine-Made and Cast Cabinet & Builders Brassfoundry, published by White & Pike Ltd. of Birmingham and London on 1 January 1897. Date: 1 January 1897

Background imageImages Dated 27th March 2018: Christmas crackers in box

Christmas crackers in box
Cracker box printed in red and white, with a cut-out window revealing twelve unused Christmas crackers, manufactured in England c.1960-1970. Date: c.1960-1970

Background imageImages Dated 27th March 2018: Flower bowl

Flower bowl
Tin-glazed earthenware flower or pot-pourri holder and lid, with blue and manganese painted decoration of stylised floral sprays set within quatrefoils

Background imageImages Dated 27th March 2018: Price list, back cover

Price list, back cover
Price list for flint glass ware manufactured by Apsley Pellatt, including illustrations printed in blue, published in London c.1850. Date: c.1850

Background imageImages Dated 27th March 2018: Maiolica plate, underside

Maiolica plate, underside
Tin-glazed earthenware (maiolica) plate, hand-painted with a linear geometric interlacing pattern of squares, flower heads and curved lines, made in Montelupo, Italy, c.1575-1625. Date: 1575-1625

Background imageImages Dated 27th March 2018: Maiolica plate

Maiolica plate
Tin-glazed earthenware (maiolica) plate, hand-painted with a linear geometric interlacing pattern of squares, flower heads and curved lines, made in Montelupo, Italy, c.1575-1625. Date: 1575-1625

Background imageImages Dated 27th March 2018: Scene in a domestic interior with children watching as a wom

Scene in a domestic interior with children watching as a wom
Domestic interior with a family group surrounding a seated woman receiving electricity treatment for a headache, oil on canvas by David Henry Friston, c.1865-1870. Date: c.1865-1870

Background imageImages Dated 27th March 2018: My Mothers Corner

My Mothers Corner, a view of a domestic interior, watercolour on paper, c.1880-1900. Date: c.1880-1900

Background imageImages Dated 27th March 2018: Lametta box

Lametta box
Lametta for Decorating Christmas Trees, a cardboard box containing strips of silver lametta, manufactured in England, c.1930-1940. Date: c.1930-1940

Background imageImages Dated 27th March 2018: Portrait of a woman in an interior

Portrait of a woman in an interior
Portrait of a woman seated in a domestic interior, oil on canvas, by Arthur Devis, c.1742, in a gilded neo-classical style frame with carved and moulded decoration. Date: c.1742

Background imageImages Dated 27th March 2018: Sweetmeat glass

Sweetmeat glass with a plain bowl and everted rim on an eight-sided pedestal stem with a teared cushion knop, and a domed foot, made in England c.1750. Date: c.1750

Background imageImages Dated 27th March 2018: Jug

Jug
Earthenware jug with green glaze decoration, a handle and a pouring lip, with restorations to the rim, Surrey/Hampshire border ware, made in England c.1630-1670. Date: 1630-1670

Background imageImages Dated 27th March 2018: Pages from a price list

Pages from a price list
Price list for flint glass ware manufactured by Apsley Pellatt, including illustrations printed in blue, published in London c.1850. Date: c.1850

Background imageImages Dated 27th March 2018: Changing Homes

Changing Homes
Painting, oil on canvas, Changing Homes, by George Elgar Hicks, signed and dated 1862, in a gilded picture frame. Date: 1862

Background imageImages Dated 27th March 2018: Miniature Christmas baubles

Miniature Christmas baubles
Set of 12 miniature coloured Christmas tree baubles in their original packaging, a printed red, cream and green cardboard box with a cellophane window, manufactured c.1950-1960. Date: c.1950-1960

Background imageImages Dated 27th March 2018: Christmas baubles

Christmas baubles
Set of 12 miniature coloured Christmas tree baubles in their original packaging, a printed red, cream and green cardboard box with a cellophane window, manufactured c.1950-1960. Date: c.1950-1960

Background imageImages Dated 27th March 2018: Group portrait of an unidentified family in a domestic inter

Group portrait of an unidentified family in a domestic inter
Group portrait of a family in a domestic interior, oil on canvas, by an unknown artist, c.1815-1820, in reproduction frame produced in Britain, c.1990-2005. Date: 1815-1820

Background imageImages Dated 27th March 2018: Fruitwood armchair with high back described as a Mendlesham

Fruitwood armchair with high back described as a Mendlesham chair Date: c.1830

Background imageImages Dated 27th March 2018: Portrait of an unknown woman

Portrait of an unknown woman, oil on panel, thought to be by Cornelius Johnson, c.1620, in a carved and gilded frame. Date: c.1620

Background imageImages Dated 27th March 2018: Domestic interior with a sleeping soldier

Domestic interior with a sleeping soldier, oil on canvas, 1860-1869, by Henry Nelson O Neil (1817-1880). Date: 1860-1869

Background imageImages Dated 27th March 2018: Chair

Chair
One of four tall-back chairs with ebonised and gilded wood frames, possibly made from oak and beech, with later red silk brocade upholstery, made in England or continental Europe c.1700. Date: c.1700

Background imageImages Dated 27th March 2018: Oak armchair and stool

Oak armchair and stool
Oak armchair with parquetry banding, inlaid decoration and carved details, made in the west of England c.1600-1640. Date: c.1600-1640

Background imageImages Dated 27th March 2018: Drinking glass

Drinking glass
Cordial glass with a plain round funnel bowl, a pale tall stem with a tear, and a domed foot, made in England c.1740-1750. Date: c.1740-1750

Background imageImages Dated 27th March 2018: Four wine glasses

Four wine glasses
Wine glass with a double series opaque twist stem and tulip-shaped bowl engraved with swags of husk decoration, one of a set of four made in England c.1790. Date: c.1790

Background imageImages Dated 27th March 2018: The Appointment

The Appointment, a domestic scene with a woman reading a letter, oil on canvas, monogrammed by the artist Rebecca Solomon, 1861, in a gilded composition frame. Date: 1861

Background imageImages Dated 27th March 2018: Guilbaud Writing Cabinet, Trade Label

Guilbaud Writing Cabinet, Trade Label
Walnut-veneered writing cabinet bearing the trade label of John Guilbaud, retailed in London, c.1695-1700. Date: 1693-1712

Background imageImages Dated 27th March 2018: Guilbaud Writing Cabinet, detail

Guilbaud Writing Cabinet, detail
Walnut-veneered writing cabinet bearing the trade label of John Guilbaud, retailed in London, c.1695-1700. Date: 1693-1712

Background imageImages Dated 27th March 2018: Fruitwood armchair with an elm seat and a heart-shaped spla

Fruitwood armchair with an elm seat and a heart-shaped splat Date: c.1830

Background imageImages Dated 27th March 2018: Page from William Tarn and Co.s Illustrated Catalogue: wit

Page from William Tarn and Co.s Illustrated Catalogue: wit
William Tarn and Co.s Illustrated Catalogue, containing 202 pages including the front and back covers, with black and white and colour illustrations including designs for ceilings and dados

Background imageImages Dated 27th March 2018: Page from William Tarn and Co.s Illustrated Catalogue: wit

Page from William Tarn and Co.s Illustrated Catalogue: wit
William Tarn and Co.s Illustrated Catalogue, containing 202 pages including the front and back covers, with black and white and colour illustrations including designs for ceilings and dados

Background imageImages Dated 27th March 2018: Record shot

Record shot
William Tarn and Co.s Illustrated Catalogue, containing 202 pages including the front and back covers, with black and white and colour illustrations including designs for ceilings and dados



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