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Home > Arts > Artists > Edward Burne-Jones

Edward Burne-Jones Collection (#7)

1,090 Items

Background imageEdward Burne-Jones Collection: Letter to the artists granddaughter Angela Thirkell (pencil on paper)

Letter to the artists granddaughter Angela Thirkell (pencil on paper)
6322820 Letter to the artists granddaughter Angela Thirkell (pencil on paper) by Burne-Jones, Edward Coley (1833-98); Private Collection; (add.info.: A folio of twenty letters)

Background imageEdward Burne-Jones Collection: Philip Burne-Jones, ca. 1875 (pencil)

Philip Burne-Jones, ca. 1875 (pencil)
6322693 Philip Burne-Jones, ca. 1875 (pencil) by Burne-Jones, Edward Coley (1833-98); 30.5x22.9 cm; The Ms Gallery, London, UK; (add.info.: Burne-Jones)

Background imageEdward Burne-Jones Collection: Virgin Mary and St Elizabeth, Robed Figures, 19th century (pen & ink)

Virgin Mary and St Elizabeth, Robed Figures, 19th century (pen & ink)
6198087 Virgin Mary and St Elizabeth, Robed Figures, 19th century (pen & ink) by Burne-Jones, Edward Coley (1833-98); 56.5x41 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; English

Background imageEdward Burne-Jones Collection: Temperantia, 1872 (w / c on paper)

Temperantia, 1872 (w / c on paper)
CH8175 Temperantia, 1872 (w/c on paper) by Burne-Jones, Edward Coley (1833-98); 152.4x58.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageEdward Burne-Jones Collection: Spring (etching printed on vellum)

Spring (etching printed on vellum)
6321805 Spring (etching printed on vellum) by Mignon, Abel (1861-c.1920); 44.5x29.8 cm; The Ms Gallery, London, UK; (add.info.: After Sir Edward Coley Burne-Jones (1833-1898) Signed by engraver

Background imageEdward Burne-Jones Collection: Vespertina Quies (etching printed on vellum)

Vespertina Quies (etching printed on vellum)
6321799 Vespertina Quies (etching printed on vellum) by Boilvin, Emile (1845-99); 40x22.9 cm; The Ms Gallery, London, UK; (add.info)

Background imageEdward Burne-Jones Collection: Study for the figure of Love in The Car of Love (black

Study for the figure of Love in The Car of Love (black
5889176 Study for the figure of Love in The Car of Love (black, white & red chalk on paper) by Burne-Jones, Edward Coley (1833-98); 35.6x22.9 cm; Private Collection; Photo eThe Ms Gallery

Background imageEdward Burne-Jones Collection: Oxford, Manchester College, West Window, Burne Jones (b / w photo)

Oxford, Manchester College, West Window, Burne Jones (b / w photo)
5986786 Oxford, Manchester College, West Window, Burne Jones (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Oxford, Manchester College, West Window, Burne Jones)

Background imageEdward Burne-Jones Collection: The Works of Geoffrey Chaucer Now Newly Imprinted by Geoffrey Chaucer

The Works of Geoffrey Chaucer Now Newly Imprinted by Geoffrey Chaucer
5668981 The Works of Geoffrey Chaucer Now Newly Imprinted by Geoffrey Chaucer, published by Kelmscott Press in 1896 (woodcut) by Burne-Jones

Background imageEdward Burne-Jones Collection: The Death of St. Frideswide, East Window of the Latin Chapel, 1859 (stained glass)

The Death of St. Frideswide, East Window of the Latin Chapel, 1859 (stained glass)
MOK120181 The Death of St. Frideswide, East Window of the Latin Chapel, 1859 (stained glass) by Burne-Jones, Edward Coley (1833-98); Christ Church Cathedral, Oxford

Background imageEdward Burne-Jones Collection: Ship of Souls, probably 1859 (stained glass) (detail of 120181)

Ship of Souls, probably 1859 (stained glass) (detail of 120181)
MOK120163 Ship of Souls, probably 1859 (stained glass) (detail of 120181) by Burne-Jones, Edward Coley (1833-98); Christ Church Cathedral, Oxford, UK; (add.info.: from the ST)

Background imageEdward Burne-Jones Collection: Dedication Window (stained glass)

Dedication Window (stained glass)
MOK120141 Dedication Window (stained glass) by Burne-Jones, Edward Coley (1833-98); St. Margarets Church, Rottingdean, East Sussex, UK; Martyn O Kelly Photography; English, out of copyright

Background imageEdward Burne-Jones Collection: The Nativity, 1862 (stained glass)

The Nativity, 1862 (stained glass)
MOK120139 The Nativity, 1862 (stained glass) by Burne-Jones, Edward Coley (1833-98); St. Marys Church, Huish Episcopi, Somerset, UK; Martyn O Kelly Photography; English, out of copyright

Background imageEdward Burne-Jones Collection: Childe Roland to the Dark Tower Came, 1861 (pen, ink and grey wash)

Childe Roland to the Dark Tower Came, 1861 (pen, ink and grey wash)
CEC128122 Childe Roland to the Dark Tower Came, 1861 (pen, ink and grey wash) by Burne-Jones, Edward Coley (1833-98); 31.6x23.4 cm; The Higgins Art Gallery & Museum, Bedford

Background imageEdward Burne-Jones Collection: Astrologia, 1893 (pastel on paper)

Astrologia, 1893 (pastel on paper)
Ma388923 Astrologia, 1893 (pastel on paper) by Burne-Jones, Edward Coley (1833-98); 33x28 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageEdward Burne-Jones Collection: The Flower Book: XVI. Grave of the Sea, 1905 (litho with gouache on paper)

The Flower Book: XVI. Grave of the Sea, 1905 (litho with gouache on paper)
PNH356988 The Flower Book: XVI. Grave of the Sea, 1905 (litho with gouache on paper) by Burne-Jones, Edward Coley (1833-98); 31x25 cm; Private Collection; (add.info)

Background imageEdward Burne-Jones Collection: The Flower Book: XVII. Golden Greeting, 1905 (litho with gouache on paper)

The Flower Book: XVII. Golden Greeting, 1905 (litho with gouache on paper)
PNH356987 The Flower Book: XVII. Golden Greeting, 1905 (litho with gouache on paper) by Burne-Jones, Edward Coley (1833-98); 25x31 cm; Private Collection; (add.info)

Background imageEdward Burne-Jones Collection: The Flower Book: WW. Star of Bethlehem, 1905 (litho with gouache on paper)

The Flower Book: WW. Star of Bethlehem, 1905 (litho with gouache on paper)
PNH356985 The Flower Book: WW. Star of Bethlehem, 1905 (litho with gouache on paper) by Burne-Jones, Edward Coley (1833-98); 31x25 cm; Private Collection; (add.info)

Background imageEdward Burne-Jones Collection: The Flower Book: XXV. Helens Tears, 1905 (collotype with gouache on paper)

The Flower Book: XXV. Helens Tears, 1905 (collotype with gouache on paper)
PNH356967 The Flower Book: XXV. Helens Tears, 1905 (collotype with gouache on paper) by Burne-Jones, Edward Coley (1833-98); 25x31 cm; Private Collection; (add.info)

Background imageEdward Burne-Jones Collection: Ducks (pencil on paper)

Ducks (pencil on paper)
PNH356961 Ducks (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 7.8x11 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

Background imageEdward Burne-Jones Collection: A Study for The Car of Love (red & black chalk on paper)

A Study for The Car of Love (red & black chalk on paper)
PNH356955 A Study for The Car of Love (red & black chalk on paper) by Burne-Jones, Edward Coley (1833-98); 37x21 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries

Background imageEdward Burne-Jones Collection: Four designs for new coinage, 1893 (litho)

Four designs for new coinage, 1893 (litho)
KDC397381 Four designs for new coinage, 1893 (litho) by Beardsley, Aubrey (1872-98); Private Collection; English, out of copyright

Background imageEdward Burne-Jones Collection: Studies of pillows (pencil)

Studies of pillows (pencil)
Ma360536 Studies of pillows (pencil) by Burne-Jones, Edward Coley (1833-98); 37.4x24.1 cm; Private Collection; (add.info.: Study for Portrait of Katie Lewis, 1886; ); Photo eThe Ms Gallery

Background imageEdward Burne-Jones Collection: Prioresss Tale Wardrobe, 1859 (painted pine & oak)

Prioresss Tale Wardrobe, 1859 (painted pine & oak)
AMO412387 Prioresss Tale Wardrobe, 1859 (painted pine & oak) by Burne-Jones, Edward Coley (1833-98); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageEdward Burne-Jones Collection: The Failure of Sir Lancelot (gouache on paper) (detail of 356921)

The Failure of Sir Lancelot (gouache on paper) (detail of 356921)
869933 The Failure of Sir Lancelot (gouache on paper) (detail of 356921) by Burne-Jones, Edward Coley (1833-98); Private Collection; (add.info)

Background imageEdward Burne-Jones Collection: The King and the Court, illustration from The Legend of the Briar Rose

The King and the Court, illustration from The Legend of the Briar Rose
704068 The King and the Court, illustration from The Legend of the Briar Rose 1871-72 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Museo de Arte de Ponce

Background imageEdward Burne-Jones Collection: St. Cecilia and Two Angels, 1870s (stained glass)

St. Cecilia and Two Angels, 1870s (stained glass)
MOK120182 St. Cecilia and Two Angels, 1870s (stained glass) by Burne-Jones, Edward Coley (1833-98); Christ Church Cathedral, Oxford, UK; Martyn O Kelly Photography; English, out of copyright

Background imageEdward Burne-Jones Collection: Light and Darkness, Night and Day, detail from the Creation Window

Light and Darkness, Night and Day, detail from the Creation Window
MOK120174 Light and Darkness, Night and Day, detail from the Creation Window, designed by William Morris or Edward Burne-Jones, 1861 (stained glass) (detail of 120153) by English School

Background imageEdward Burne-Jones Collection: The Baptism of Christ, 1862 (stained glass)

The Baptism of Christ, 1862 (stained glass)
MOK120158 The Baptism of Christ, 1862 (stained glass) by Burne-Jones, Edward Coley (1833-98); St. Michael and All Angels Church, Brighton, Sussex, UK; (add.info.: commissioned from Morris, Marshall)

Background imageEdward Burne-Jones Collection: Adam and Eve in the Garden of Eden, 1861 (stained glass)

Adam and Eve in the Garden of Eden, 1861 (stained glass)
MOK120149 Adam and Eve in the Garden of Eden, 1861 (stained glass) by Burne-Jones, Edward Coley (1833-98); All Saints Church, Selsley, Gloucestershire, UK; (add.info.: commissioned from Morris)

Background imageEdward Burne-Jones Collection: The Annunciation (stained glass)

The Annunciation (stained glass)
MOK120140 The Annunciation (stained glass) by Burne-Jones, Edward Coley (1833-98); St. Margarets Church, Rottingdean, East Sussex, UK; Martyn O Kelly Photography; English, out of copyright

Background imageEdward Burne-Jones Collection: Study of a kneeling girl for The Mirror of Venus, c

Study of a kneeling girl for The Mirror of Venus, c
FIT113921 Study of a kneeling girl for The Mirror of Venus, c.1873 (pencil on paper) (see 15161) by Burne-Jones, Edward Coley (1833-98); 21.8x17.9 cm; Fitzwilliam Museum, University of Cambridge

Background imageEdward Burne-Jones Collection: William Morris (1834-96) Sir Edward Burne-Jones (1833-98) and their Families

William Morris (1834-96) Sir Edward Burne-Jones (1833-98) and their Families
STC130683 William Morris (1834-96) Sir Edward Burne-Jones (1833-98) and their Families, 1874 (sepia photo) by Hollyer, Frederick (1837-1933); Private Collection; (add.info.: LtoR)

Background imageEdward Burne-Jones Collection: Interior view of The Grange, North End Road, Fulham, home to Edward Burne-Jones (1833-98

Interior view of The Grange, North End Road, Fulham, home to Edward Burne-Jones (1833-98
HYD194517 Interior view of The Grange, North End Road, Fulham, home to Edward Burne-Jones (1833-98) (w/c on paper) by Rook, T. M. (19th century); Private Collection; English, out of copyright

Background imageEdward Burne-Jones Collection: Portrait of Denis Mackail, grandson of the artist (oil on canvas)

Portrait of Denis Mackail, grandson of the artist (oil on canvas)
HYD194515 Portrait of Denis Mackail, grandson of the artist (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Private Collection; English, out of copyright

Background imageEdward Burne-Jones Collection: Courtiers Being Turned into Stone, from the Perseus series (w / c on paper)

Courtiers Being Turned into Stone, from the Perseus series (w / c on paper)
Ma199075 Courtiers Being Turned into Stone, from the Perseus series (w/c on paper) by Burne-Jones, Edward Coley (1833-98); 31x63.5 cm; Private Collection; Photo eThe Ms Gallery, London; English

Background imageEdward Burne-Jones Collection: The Briar Rose Series, 1: The Prince Enters the Briar Wood

The Briar Rose Series, 1: The Prince Enters the Briar Wood
MH11916 The Briar Rose Series, 1: The Prince Enters the Briar Wood, 1870-90 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 122x250 cm; Faringdon Collection, Buscot, Oxon

Background imageEdward Burne-Jones Collection: The Soul Attains, from the Pygmalion and the Image series, 1870 (oil on canvas)

The Soul Attains, from the Pygmalion and the Image series, 1870 (oil on canvas)
HTL11912 The Soul Attains, from the Pygmalion and the Image series, 1870 (oil on canvas) by Burne-Jones, Edward Coley (1833-98)

Background imageEdward Burne-Jones Collection: The Hand Refrains, from the Pygmalion and the Image series

The Hand Refrains, from the Pygmalion and the Image series
HTL11910 The Hand Refrains, from the Pygmalion and the Image series, 1868-70 (oil on canvas) by Burne-Jones, Edward Coley (1833-98)

Background imageEdward Burne-Jones Collection: The Evening Star, 1870 (gouache)

The Evening Star, 1870 (gouache)
MH11891 The Evening Star, 1870 (gouache) by Burne-Jones, Edward Coley (1833-98); 78.7x55.9 cm; Private Collection; eMartin Harrison; English, out of copyright

Background imageEdward Burne-Jones Collection: Miriam

Miriam
MH11882 Miriam by Faulkner & Co. C. W. (fl.1860-1920); St Michael & All Angels Church, Waterford, Hertfordshire, UK; (add.info)

Background imageEdward Burne-Jones Collection: Honeymoon of King Rene of Anjou, by Burne-Jones and Dante G. Rossetti, 1862

Honeymoon of King Rene of Anjou, by Burne-Jones and Dante G. Rossetti, 1862
BAL1460 Honeymoon of King Rene of Anjou, by Burne-Jones and Dante G. Rossetti, 1862 by Rossetti, Dante Gabriel (1828-82) & Burne-Jones, Edward (1833-98); Victoria & Albert Museum, London

Background imageEdward Burne-Jones Collection: The Hours, 1870-82 (oil on canvas)

The Hours, 1870-82 (oil on canvas)
SAG67748 The Hours, 1870-82 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 77.5x183.4 cm; Sheffield Galleries and Museums Trust

Background imageEdward Burne-Jones Collection: An Angel Playing a Flageolet (oil on paper)

An Angel Playing a Flageolet (oil on paper)
MAK79299 An Angel Playing a Flageolet (oil on paper) by Burne-Jones, Edward Coley (1833-98); 25x17.5 cm; The Makins Collection; English, out of copyright

Background imageEdward Burne-Jones Collection: Venus Epithalamia, copy of the painting by Sir Edward Burne-Jones (oil on canvas)

Venus Epithalamia, copy of the painting by Sir Edward Burne-Jones (oil on canvas)
HTL59287 Venus Epithalamia, copy of the painting by Sir Edward Burne-Jones (oil on canvas) by Murray, Charles Fairfax (1849-1919)

Background imageEdward Burne-Jones Collection: Miriam, Sister of Moses and Aaron, also Portrait of Maria Zambaco, artists mistress

Miriam, Sister of Moses and Aaron, also Portrait of Maria Zambaco, artists mistress
ASD54939 Miriam, Sister of Moses and Aaron, also Portrait of Maria Zambaco, artists mistress, c.1872 by Burne-Jones, Edward Coley (1833-98); Waterford, Hertfordshire, UK; Ann S

Background imageEdward Burne-Jones Collection: Angels of Creation: The Third Day, c. 1890 (stained glass)

Angels of Creation: The Third Day, c. 1890 (stained glass)
ASD54928 Angels of Creation: The Third Day, c.1890 (stained glass) by Burne-Jones, Edward Coley (1833-98); Manchester College, Oxford, Oxfordshire, UK; Ann S. Dean, Brighton; English, out of copyright

Background imageEdward Burne-Jones Collection: Study for Perseus in The Finding of Medusa, c

Study for Perseus in The Finding of Medusa, c
FIT58226 Study for Perseus in The Finding of Medusa, c.1881 (grey and white body colour on blue paper) by Burne-Jones, Edward Coley (1833-98); Fitzwilliam Museum, University of Cambridge



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