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Detail of the Triptych of Willem Moreel, 1484 (oil on panel)
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Detail of the Triptych of Willem Moreel, 1484 (oil on panel)
490018 Detail of the Triptych of Willem Moreel, 1484 (oil on panel) by Memling, Hans (c.1433-94); Groeningemuseum, Bruges, Belgium; (add.info.: Altarpiece for the altar of Saints Maurus and Giles in the Church of St. James, Bruges. Painted in 1484 for Willem Moreel, a prominent Bruges politician and his wife Barbara van Vlaenderberch nee van Hertsvelde.
See also 490016 & 490017.); © Art in Flanders
Media ID 28436852
© Art in Flanders / Bridgeman Images
Flemish Flemish Artist Hans Memling Memling Hans 1433 1494 Wading 15th 15 Xv Xvth Fifteenth Century Flemish Art
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EDITORS COMMENTS
This print showcases a mesmerizing detail from the Triptych of Willem Moreel, painted by the renowned artist Hans Memling in 1484. The triptych, now housed in the Groeningemuseum in Bruges, Belgium, was originally created as an altarpiece for the Church of St. James. In this particular section of the artwork, we see a scene filled with symbolism and religious significance. A group of saints is depicted wading through a river while carrying a child. At the center stands Jesus Christ himself, radiating divine light and guiding their journey. The composition beautifully captures Memling's mastery in portraying intricate details and emotions. The delicate brushstrokes bring to life each figure's expression and movement, evoking a sense of awe and reverence. Commissioned by Willem Moreel, an influential politician from Bruges, this triptych served as both a testament to his devotion to Saints Maurus and Giles and as an artistic representation of his status within society. As we admire this exquisite piece of Flemish art from the late 15th century, it becomes evident why Memling is celebrated as one of the greatest painters of his time. His meticulous attention to detail combined with his ability to convey spiritual themes make this painting truly remarkable. With its rich historical context and artistic brilliance, this print serves as a window into Memling's world—a world where faith intertwines with beauty on every brushstroke.
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