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Captive Jews in the hippodrome at Alexandria, engraved by Josiah Wood Whymper (1813-1903
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Captive Jews in the hippodrome at Alexandria, engraved by Josiah Wood Whymper (1813-1903
FEH328958 Captive Jews in the hippodrome at Alexandria, engraved by Josiah Wood Whymper (1813-1903) (engraving) by Dore, Gustave (1832-83) (after); Private Collection; (add.info.: illustration from The Land of the Pharaohs: Egypt and Sinai by the Rev. Samuel Manning; ); French, out of copyright
Media ID 23374638
© Bridgeman Images
Arena Begging Captives Captured Elephant Elephants Pleading Prisoners Stadium
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EDITORS COMMENTS
This print titled "Captive Jews in the hippodrome at Alexandria" takes us back to a significant moment in history. Engraved by Josiah Wood Whymper, this powerful image depicts a scene from ancient Egypt that is both haunting and thought-provoking. The engraving showcases an overwhelming sight within the grandeur of the hippodrome. In the center, we see a group of captured Jews, their expressions filled with despair and desperation. Surrounding them are towering elephants, symbols of strength and power, emphasizing their captivity even further. The stadium is packed with spectators who watch on with mixed emotions - some seemingly indifferent while others appear moved by the plight of these captives. As we delve deeper into this artwork, it becomes evident that there is more than meets the eye. The prisoners' pleading eyes tell stories untold; their hands raised in supplication evoke empathy from those witnessing this spectacle. It serves as a reminder of humanity's capacity for cruelty and oppression throughout history. Engraved after Gustave Dore's original work by Bridgeman Images, this print brings to life an important historical event documented by Reverend Samuel Manning in his book "The Land of Pharaohs: Egypt and Sinai". Its inclusion in private collections ensures its preservation for future generations to reflect upon our shared past. Through this image, we are compelled to contemplate themes such as power dynamics, human suffering, and resilience against adversity. It stands as a testament to art's ability to provoke
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