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Cover of "Le Don Quixote", number 693, Satirique en Couleurs
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Cover of "Le Don Quixote", number 693, Satirique en Couleurs
ICA4875539 Cover of " Le Don Quixote", number 693, Satirique en Couleurs, 1887_10_1: Their eagle!... - Germany Prussia - Eagle - Illustration by Charles Gilbert-Martin (1839-1905) by Gilbert-Martin, Charles (1839-1905); (add.info.: Cover of " Le Don Quixote", number 693, Satirique en Couleurs, 1887_10_1: Their eagle!... - Germany Prussia - Eagle - Illustration by Charles Gilbert-Martin (1839-1905)); Photo eCaricadoc; French, out of copyright
Media ID 23343742
© Caricadoc / Bridgeman Images
Animalization Blood Eagle Passereau Raptor Sign Caricadoc Journalism Prussia Prussian
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EDITORS COMMENTS
This print showcases the cover of "Le Don Quixote", number 693, Satirique en Couleurs from 1887. The illustration by Charles Gilbert-Martin takes center stage, depicting a powerful and striking image of an eagle representing Germany Prussia. The artist's attention to detail is evident in the intricate engraving that brings this majestic bird to life. The eagle, a symbol of strength and sovereignty, stands proudly with its wings spread wide. Its piercing gaze captures the viewer's attention as it perches on top of a helmet adorned with feathers. This imagery evokes a sense of authority and power associated with Germany Prussia during that time period. Surrounding the eagle are various elements that add depth to the composition. A border featuring passereau birds frames the central image while blood splatters suggest violence and conflict. These details hint at underlying themes within the satirical publication. The combination of French caricature and German symbolism creates an intriguing juxtaposition, reflecting tensions between these two nations during this era. The artwork serves as both political commentary and artistic expression, showcasing how visual representations can convey complex ideas. Overall, this print offers viewers a glimpse into historical European journalism through artistry and symbolism. It invites contemplation about the role of satire in society and highlights how artists like Charles Gilbert-Martin used their craft to communicate messages beyond words alone.
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