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Cover of "The Red Laughter", Satirical in Colours
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Cover of "The Red Laughter", Satirical in Colours
ICA4845800 Cover of " The Red Laughter", Satirical in Colours, 1916_12_2: Civilian Day - War of 14 -18, Restaurant Cafes, Daily Life, Restrictions Rationoning - Civilians - Illustration by Abel Faivre (1867-1945) by Faivre, Jules Abel (1867-1945); (add.info.: Cover of " The Red Laughter", Satirical in Colours, 1916_12_2: Civilian Day - War of 14 -18, Restaurant Cafes, Daily Life, Restrictions Rationoning - Civilians - Illustration by Abel Faivre (1867-1945)); Photo eCaricadoc; French, out of copyright
Media ID 23719146
© Caricadoc / Bridgeman Images
14 18 Or 1914 1918 Derision Equity First World War 1st World War Frenchwoman Iere Innocence Rationing Restaurant A Journal Aureole Caricadoc Journalism Sadness
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EDITORS COMMENTS
This print showcases the cover of "The Red Laughter", a satirical publication from 1916. Illustrated by Abel Faivre, this piece depicts the daily life and struggles faced by civilians during World War I. The image transports us back to a time when war had imposed restrictions and rationing on society. The illustration captures the essence of French culture, with its elegant restaurants and cafes serving as symbols of normalcy amidst chaos. However, there is an underlying sense of sadness portrayed through the somber expressions on the faces of those depicted. Faivre's caricature skillfully highlights societal issues such as equity and innocence lost due to war. The engraving evokes derision towards those in power while shedding light on the hardships faced by ordinary people. "The Red Laughter" serves as a journal that reflects France's experience during this tumultuous period in history. It offers a glimpse into the lives of individuals who were affected by both physical and emotional challenges brought about by war. This print not only captures an important moment in French history but also serves as a reminder of how art can be used to convey powerful messages about society and human resilience.
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