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View of the Cloaca Maxima, 1833 (etching with brown wash)

View of the Cloaca Maxima, 1833 (etching with brown wash)


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View of the Cloaca Maxima, 1833 (etching with brown wash)

STC384952 View of the Cloaca Maxima, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: Vue de la Cloaque Maxime; Engraved by Pietro Fontana (1762-1837); from Recueil des vues au bister dessinees et lavees par Callimachus, Souvenirs d antiquites et curiosites de Rome et des environs, Deblayements et reparations du Pape Pie VII ; Pope Pius VII (1742-1823) Papacy (1800-23) Count Barnaba Niccolo Maria Luigi Chiaramonti; At first a natural watercourse to the Tiber, it was canalised by Tarquinius the Elder andServius Tullius (c.616-535 BC) and arched over in c.200 BC; ); The Stapleton Collection; Italian, out of copyright

Media ID 23548028

© The Stapleton Collection / Bridgeman Images

Sewer Sewerage Sewers


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Cricetidae > Tarquinius

> Architecture > Country > Italy > Rome

> Architecture > Styles > Roman Architecture

> Arts > Artists > R > Roman Roman

> Europe > Italy > Lazio > Rome

> Fine Art Finder > Artists > Adrien Emmanuel Marie

> Fine Art Finder > Artists > Agostino Tofanelli

> Fine Art Finder > Italy


EDITORS COMMENTS
This etching with brown wash, titled "View of the Cloaca Maxima, 1833" transports us back to ancient Rome. The artist behind this masterpiece is Agostino Tofanelli (1770-1834), and it is currently held in a private collection. The print showcases the awe-inspiring engineering marvel that is the Cloaca Maxima, also known as the Great Sewer. Engraved by Pietro Fontana (1762-1837), this artwork was part of a series called "Recueil des vues au bister dessinees et lavees par Callimachus". It depicts an archway leading into the entrance of this monumental sewerage system. Originally a natural watercourse flowing into the Tiber River, the Cloaca Maxima was transformed into an arched canal during Tarquinius the Elder's reign and further developed by Servius Tullius around 200 BC. This image captures both its architectural grandeur and historical significance. As we gaze upon this print, we are reminded of Rome's ingenuity in civil engineering even centuries ago. The intricate details in every line showcase not only Tofanelli's skill but also his admiration for Roman architecture. This artwork serves as a testament to human innovation and our ability to create enduring structures that stand against time. With its rich history and remarkable craftsmanship, "View of the Cloaca Maxima" invites us to appreciate both ancient Roman culture and artistic excellence.

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