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Satire on patronage and corruption in New York State politics, 1852

Satire on patronage and corruption in New York State politics, 1852


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Satire on patronage and corruption in New York State politics, 1852

1576413 Satire on patronage and corruption in New York State politics, 1852; (add.info.: The seven stages of the office seeker' A satire on patronage and corruption in New York State politics, based on the medieval theme, perpetuated in American folk art, of the "life and ages of man." Here the seven stages are illustrated as key points in the life and career of a political hack. At each stage the figure occupies a different step of a pyramid, under which is shown his metaphorical counterpart in the animal kingdom. According to Elizabeth Sears the compositional device of a stepped pyramid is used in this context as early as the sixteenth century.); Universal History Archive/UIG

Media ID 38139818

© Universal History Archive/UIG / Bridgeman Images

1850s Corruption New York (city) New York (state) Office Patronage States


EDITORS COMMENTS
This print captures a satirical take on patronage and corruption in New York State politics from 1852. Titled "The seven stages of the office seeker," this piece uses a medieval theme to illustrate the life and career of a political hack through key points in their journey. Each stage is represented by the figure occupying a different step of a pyramid, symbolizing their ascent in power. Beneath each step lies their metaphorical counterpart in the animal kingdom, highlighting the animalistic nature of politics during that era. The use of a stepped pyramid as a compositional device dates back to the sixteenth century, showing how this theme has been perpetuated in American folk art over time. The intricate details and symbolism within this artwork offer viewers an insightful look into the complexities of political patronage and corruption during that period. As we reflect on this piece, we are reminded of the timeless themes present in politics throughout history. It serves as both a critique and commentary on human nature and power dynamics within society. This print is not just an image but a window into our past, shedding light on important issues that continue to shape our world today.

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