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They have only left me two Stumps, 2nd November 1789 (colour litho)

They have only left me two Stumps, 2nd November 1789 (colour litho)


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They have only left me two Stumps, 2nd November 1789 (colour litho)

CHT277849 They have only left me two Stumps, 2nd November 1789 (colour litho) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: Ils ne m ont laisse que deux chicots ; caricature referring to the nationalisation of church property during the French Revolution; ); eArchives Charmet; French, out of copyright

Media ID 22356714

© Archives Charmet / Bridgeman Images

Abolition Anti Clerical Anticlerical Ironic Irony Teeth Tenth Tithe French Revolution Monks Religious Orders


FEATURES IN THESE COLLECTIONS

> Arts > Artists > G > Albert Guillaume

> Arts > Pop art > Irony > Satirical artwork

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Paris > Museums > Musee Carnavalet

> Europe > France > Paris > Royalty

> Europe > France > Royalty

> Fine Art Finder > Artists > Albert Guillaume

> Fine Art Finder > Artists > French School

> Fine Art Finder > French Royalty, Rulers And Revolutions


EDITORS COMMENTS
The captivating print titled "They have only left me two Stumps, 2nd November 1789" transports us back to a significant moment in history - the French Revolution. Created by an anonymous French artist from the 18th century, this colour lithograph captures the essence of political satire and irony. Depicting a caricature that alludes to the nationalisation of church property during this tumultuous period, we witness a clergyman standing with only two remaining teeth or "stumps". The image serves as a commentary on the abolition of tithes and highlights the struggle faced by religious figures as their power and influence waned. This satirical portrayal showcases anti-clerical sentiments prevalent at that time. It cleverly combines elements such as clergy attire, religious orders, and symbols associated with religion to convey its message effectively. The cartoon-like style adds an element of humor while addressing serious issues surrounding religion and politics. Preserved in Musee de la Ville de Paris, Musee Carnavalet in Paris, France; this artwork offers us insight into one aspect of the complex social changes brought about by the French Revolution. Its historical significance lies not only in its artistic value but also in its ability to provoke thought and discussion on themes like revolution, power dynamics, and societal transformation. As we observe this intriguing piece from Bridgeman Images' Fine Art Finder collection today, it reminds us how art can serve as a powerful tool for expressing dissenting opinions and shedding light on important moments

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