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Witch riding backwards on a goat, c. 1505 (Burin engraving)
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Witch riding backwards on a goat, c. 1505 (Burin engraving)
5890631 Witch riding backwards on a goat, c.1505 (Burin engraving) by DAorer or Duerer, Albrecht (1471-1528); 11.5x7.1 cm; Private Collection; (add.info.: The witch here sits backwards on a leaping goat, a symbol of lust and embodiment of the devil at the time, surrounded by four putti: one of whom is carrying a pot for her cauldron, another holds a thorn apple plant, an ingredient with magical properties, while a third points his bottom towards the viewer, possibly to break wind. As witchcraft was thought to reverse the natural order of things, so as the witchs hair streams in one direction, the goat and drapery go the opposite way. Even the artists familiar monogram has letters reversed.); Luisa Ricciarini; German, out of copyright
Media ID 23340530
© Luisa Ricciarini / Bridgeman Images
Broomstick Cherubim German Renaissance Goat Haggard Horn Infants Magic Menacing Monochrome Naughty Putti Revel Sinister Spindle Storm Supernatural Topsy Turvy Unnatural Upset Witch Witchcraft Cherub Cherubs Northern Renaissance
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This print, titled "Witch riding backwards on a goat" transports us back to the year 1505. Created by the renowned German artist Albrecht Dürer, this burin engraving measures 11.5x7.1 cm and is currently held in a private collection. In this intriguing artwork, we witness a witch perched upon a leaping goat, an emblem of both lust and devilish embodiment during that era. Surrounding her are four mischievous putti: one carrying a pot for her cauldron, another holding a thorn apple plant with magical properties, and yet another cheekily pointing his bottom towards the viewer. As witchcraft was believed to disrupt the natural order of things, even the smallest details reflect this notion. The witch's flowing hair moves in one direction while the goat and drapery move in opposition. Even Dürer's signature monogram features reversed letters. This monochrome masterpiece from the Northern Renaissance captures not only supernatural elements but also highlights themes of naughtiness and menace through its haggard portrayal of the witch. The composition creates an atmosphere that feels awry or topsy-turvy as if everything is turned upside down. The presence of cherubs adds an ethereal touch to this scene, their nakedness contrasting with their innocent playfulness amidst such sinister magic. This print invites viewers into a world where boundaries between reality and fantasy blur—a testament to Dürer's exceptional talent as he explores themes both enchanting and unsettling within his artistry.
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