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Superposed Forms, (oil on gesso prepared board)
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Superposed Forms, (oil on gesso prepared board)
657549 Superposed Forms, (oil on gesso prepared board) by Dismorr, Jessica Stewart (1885-1939); 46x61 cm; Private Collection; (add.info.: Superposed Forms. Jessica Dismorr (1885-1939). Oil on gesso prepared board. 46 x 61cm); Photo eChristies Images; English, out of copyright
Media ID 23674322
© Christie's Images / Bridgeman Images
052012upload Abstract Abstract Art Abstraction Bizarre Board Communicate Communicating Curvaceous English Art English Artist Form Forms Full Frame Hues Irregular Modern Art Modern Traditional British Mounted On Board On Board Overlapping Shades Of Colour Shape Shaped Unusual Vorticism Vorticist Artist British British Artist
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Superposed Forms - An Abstract Exploration of Shape and Color
EDITORS COMMENTS
. This print showcases "Superposed Forms" an oil painting on gesso prepared board by Jessica Stewart Dismorr, a British artist from the early twentieth century. Measuring 46x61 cm, this artwork is part of a private collection. The close-up shot reveals the intricate details of the irregular and curvaceous forms that make up this modern traditional British piece. The artist's use of overlapping shapes creates a sense of depth and movement within the composition. The vibrant hues and shades of color add to the abstract nature of the artwork, communicating with viewers in a unique and bizarre way. The painting belongs to the vorticist movement, characterized by its emphasis on geometric shapes and dynamic energy. Mounted on board, this early 20th-century European artwork captures attention with its relational elements. Without any human presence in sight, it invites viewers to immerse themselves fully into its abstract world. Dismorr's mastery lies in her ability to create harmony through abstraction. Each form superposes onto another, creating an intriguing visual dialogue that challenges conventional artistic norms. This print offers art enthusiasts an opportunity to appreciate Dismorr's contribution to English art history while also experiencing the beauty and complexity inherent in abstract expression.
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