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Adam and Eve, 1504 (engraving)
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Adam and Eve, 1504 (engraving)
6867070 Adam and Eve, 1504 (engraving) by DAOErer or Duerer, Albrecht (1471-1528); 25.1A--19.2 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: The branch Adam holds is of the mountain ash, the Tree of Life, while the fig, of which Eve has broken off a branch, is from the forbidden Tree of Knowledge. Four of the animals represent the medieval idea of the four temperaments: the cat is choleric, the rabbit sanguine, the ox phlegmatic, and the elk melancholic.); German, out of copyright
Media ID 24130400
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EDITORS COMMENTS
This engraving titled "Adam and Eve" by Albrecht Dürer showcases the biblical scene of the first man and woman in exquisite detail. Measuring 25.1A--19.2 cm, this print is housed in the prestigious Rijksmuseum in Amsterdam, The Netherlands. In this artwork, Adam holds a branch from the mountain ash tree, symbolizing the Tree of Life, while Eve grasps a fig branch from the forbidden Tree of Knowledge. Surrounding them are four animals representing medieval beliefs about temperaments: a choleric cat, sanguine rabbit, phlegmatic ox, and melancholic elk. Dürer's meticulous craftsmanship brings to life this iconic story from Genesis with its rich symbolism and religious significance. The print transports viewers back to 16th-century Germany when it was created. The composition not only explores biblical themes but also incorporates elements of nature and botany. It beautifully merges art with science as it depicts various animals amidst lush foliage. Through his masterful engravings, Dürer captures both the vulnerability and strength inherent in human nature. This particular piece delves into themes of temptation, innocence lost, and mankind's eternal struggle between knowledge-seeking curiosity and divine obedience. As you gaze upon this remarkable work by Bridgeman Images' Fine Art Finder collection, let yourself be transported to Eden's garden where two individuals grapple with their destiny amid an idyllic yet treacherous landscape.
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