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Cover of "Le Grelot", number 189, Satirique en Couleurs
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Cover of "Le Grelot", number 189, Satirique en Couleurs
ICA4923522 Cover of " Le Grelot", number 189, Satirique en Couleurs, 1874_11_22: Deux Robert-Macaire - Republicain - Robert-Macaire, Bonapartiste - Illustration by Alfred Le Petite (1841-1909) by Le Petit, Alfred (1841-1909); (add.info.: Cover of " Le Grelot", number 189, Satirique en Couleurs, 1874_11_22: Deux Robert-Macaire - Republicain - Robert-Macaire, Bonapartiste - Illustration by Alfred Le Petite (1841-1909)); Photo eCaricadoc; French, out of copyright
Media ID 23718526
© Caricadoc / Bridgeman Images
Businessman Dispute Double Personality Identity Imaginary Character Le Petit Alfred 1841 1909 Malefactor Opposition Rivalry A Journal Caricadoc Journalism
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EDITORS COMMENTS
The print captures the cover of "Le Grelot", number 189, Satirique en Couleurs, dated November 22nd, 1874. The artwork is an illustration by Alfred Le Petite depicting two characters known as Robert-Macaire - one representing a Republican and the other a Bonapartist. This satirical piece showcases the double personality and rivalry between these imaginary figures. Alfred Le Petite's engraving skillfully portrays the political and social tensions of 19th-century France through caricature. The image highlights the identity crisis faced by these malefactor characters, symbolizing the opposition within French society during that time. "Le Grelot" was a renowned journal in France, known for its witty commentary on politics and business affairs. This particular cover serves as an allegory for the ongoing dispute between Republicans and Bonapartists in French politics. The artwork not only reflects the theatrical nature of French society but also demonstrates how journalism played a significant role in shaping public opinion during this period. It represents a pivotal moment in history when newspapers became powerful tools to influence public discourse. This print from Fine Art Finder offers us a glimpse into 19th-century France, showcasing both artistic brilliance and historical significance. It reminds us of the enduring power of satire to challenge authority and provoke critical thinking even today.
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