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The Laughter, Satirical in Colors, 1908_10_17: The railway - Countryside
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The Laughter, Satirical in Colors, 1908_10_17: The railway - Countryside
ICA4862616 The Laughter, Satirical in Colors, 1908_10_17: The railway - Countryside, Urban Architecture, Prisons, Fashion, Misere, Tree - Illustration by Ricardo Flores (1878-1918) by Flores, Ricardo (1878-1918); (add.info.: The Laughter, Satirical in Colors, 1908_10_17: The railway - Countryside, Urban Architecture, Prisons, Fashion, Misere, Tree - Illustration by Ricardo Flores (1878-1918)); Photo eCaricadoc; French, out of copyright
Media ID 23343900
© Caricadoc / Bridgeman Images
Bourgeoisie Encounter Jail Misery Parasol Pauper Pumping Railroad Caricadoc Conversation Years 1900
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EDITORS COMMENTS
The Laughter, Satirical in Colors, 1908_10_17: The railway - Countryside captures the essence of early 20th-century France through a vibrant and thought-provoking illustration by Ricardo Flores. This print showcases various elements of society, from urban architecture to prisons, fashion to poverty. In this intricate artwork, Flores skillfully portrays a scene that tells a story of contrast and social commentary. A girl engrossed in conversation with a woman stands on a road surrounded by an impoverished village. Their encounter is juxtaposed against the backdrop of an elaborate railway system and bourgeois buildings, symbolizing the stark divide between different classes. The artist's attention to detail is evident as he includes subtle references such as a pumping station and a parasol-wielding pauper. These elements serve as reminders of the struggles faced by those living in poverty during this era. Through his satirical approach, Flores sheds light on societal issues prevalent at the time while also highlighting the power dynamics within French society. The engraving exudes both charm and critique, inviting viewers to reflect upon their own roles within these systems. This remarkable print not only serves as an artistic masterpiece but also provides valuable historical insights into early 20th-century France. It reminds us that art has always been instrumental in capturing the complexities of human existence.
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