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The Triumph of Naturalism, caricature of Emile Zola (1840-1902
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The Triumph of Naturalism, caricature of Emile Zola (1840-1902
CHT162729 The Triumph of Naturalism, caricature of Emile Zola (1840-1902) illustration from La Caricature, 7th February 1880 (litho) by Robida, Albert (1848-1926); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: parody of a statue of Napoleon Bonaparte; ); eArchives Charmet; French, out of copyright
Media ID 22930786
© Archives Charmet / Bridgeman Images
French Novelist Naturalist Realist Success Triumphant
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The Triumph of Naturalism - A Satirical Caricature of Emile Zola
EDITORS COMMENTS
. In this intriguing photo print, we are transported back to the 19th century and presented with a satirical illustration from La Caricature. Depicting the renowned French writer Emile Zola, the image is a playful parody of Napoleon Bonaparte's iconic statue. Emile Zola, celebrated for his realist approach in literature, is portrayed here as a triumphant figure riding on horseback. The caricature captures his success as a naturalist writer who fearlessly explored societal issues through his works. With an air of confidence and determination, Zola symbolizes the triumph of naturalism over conventional romanticism. The artist behind this lithograph is Albert Robida, known for his skillful illustrations that often blended humor with social commentary. His attention to detail shines through in every stroke, capturing not only Zola's likeness but also infusing the artwork with subtle symbolism. The juxtaposition between Zola and the horse he rides adds another layer of meaning to this piece. Horses have long been associated with strength and power; their inclusion suggests that naturalism possesses these qualities as well. Furthermore, it hints at how nature itself can be harnessed by writers like Zola to convey profound messages about human existence. This print serves as both an homage to Emile Zola's literary contributions and a testament to the enduring impact of naturalistic writing on society. It invites us to
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