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Doorway of Angkor Thom, illustration from Atlas du voyage d
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Doorway of Angkor Thom, illustration from Atlas du voyage d
CHT207774 Doorway of Angkor Thom, illustration from Atlas du voyage d exploration en Indochine, 1866-68 by Doudart de Lagree, published 1873, Paris, Hachette (litho) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; French, out of copyright
Media ID 23208016
© Archives Charmet / Bridgeman Images
Avalokitesvara Bayon Buddhist Cambodia Cambodian Creeper Elephant Elephants Faces French Colony Gate Indo China Jungle Khmer Mission Mysterious Overgrown Palm Tree Root Roots Serpent Snakes
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EDITORS COMMENTS
This print showcases the mesmerizing Doorway of Angkor Thom, an illustration from the renowned Atlas du voyage d'exploration en Indochine. Created by Doudart de Lagree and published in 1873, this lithograph transports us to the ancient ruins of Angkor Thom in Cambodia. The image is a testament to the rich history and architectural marvels that lie within this mystical land. The imposing roots of towering trees intertwine with intricate sculptures, creating a scene straight out of a fairytale. The overgrown jungle surrounding the entrance adds an air of mystery and adventure. As we gaze upon this artwork, our eyes are drawn to the magnificent statues adorning both sides of the doorway. Each face tells its own story, reflecting the deep-rooted cultural heritage and spiritual significance embedded within these ruins. The presence of elephants further enhances the grandeur and majesty captured in this print. These gentle giants symbolize strength and wisdom while adding an element of awe-inspiring beauty to this already enchanting composition. Through this photograph, we are transported back in time to witness firsthand the splendorous Khmer capital at its peak. It serves as a reminder that even amidst decay and ruin, there lies immense beauty waiting to be discovered by those who dare venture into its embrace. This print from Bridgeman Images allows us to appreciate not only French colonial artistry but also Cambodian history through one captivating frame.
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