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The Pigs Possessed: or the Broad bottom d Litter running headlong into the Sea of
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The Pigs Possessed: or the Broad bottom d Litter running headlong into the Sea of
3035657 The Pigs Possessed: or the Broad bottom d Litter running headlong into the Sea of Perdition, pub. 1807 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: satirises the dismissal of the Grenville Ministry, nicknamed Broad-bottomed. George III (1738-1820 )had asked his ministers to pledge that they would never raise the issue of Catholic emancipation again; when they refused, he sacked them.); The Stapleton Collection; English, out of copyright
Media ID 23260672
© The Stapleton Collection / Bridgeman Images
Anthropomorphic Catholic Emancipation Cliff Cliffs Farmers Farmyard George Iii Herd Herding Minister Ministers Monarchs Pigs Pitchfork Possessed Royals Statesmen Swine Wave Waves Drowing Monarch Perdition
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This print captures the essence of political satire in the 19th century. Titled "The Pigs Possessed: or the Broad bottom d Litter running headlong into the Sea of Perdition" this hand-coloured engraving by James Gillray is a masterpiece that satirises the dismissal of the Grenville Ministry. In this artwork, we see a group of anthropomorphic pigs representing politicians from the Grenville Ministry being herded towards a cliff by a farmer with a pitchfork. The pigs, symbolising these statesmen, are possessed and oblivious to their impending doom as they plunge headlong into the sea below. This scene alludes to George III's decision to dismiss his ministers after they refused to pledge against Catholic emancipation. Gillray's clever use of caricature and symbolism highlights both political and social commentary prevalent during this era. The image not only mocks those in power but also reflects on broader themes such as loyalty, betrayal, and consequences. "The Pigs Possessed" is an exceptional example of Georgian-era cartooning that combines artistic skill with biting satire. It serves as a reminder that even centuries ago, artists used their craft to express dissent and critique those in positions of authority. This particular print belongs to The Stapleton Collection and offers viewers an intriguing glimpse into British history through its intricate details and thought-provoking imagery.
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