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Taking the Flax out of the Bog, Plate III of The Linen Manufactory of Ireland
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Taking the Flax out of the Bog, Plate III of The Linen Manufactory of Ireland
2836277 Taking the Flax out of the Bog, Plate III of The Linen Manufactory of Ireland, 1791 (coloured engraving), by Hincks, William (1752-1797); Private Collection; (add.info.: traditionally flax was placed in the bog for a period of time to separate the rind from the stem; the flax is then hung out to dry, heated and broken up; ); The Stapleton Collection; English, out of copyright
Media ID 23473160
© The Stapleton Collection / Bridgeman Images
Beating Breaking Linen Removing Rural Scene Woods Beetling
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EDITORS COMMENTS
In this print titled "Taking the Flax out of the Bog" we are transported back to rural Ireland in 1791. The scene depicts a crucial step in the linen manufacturing process, showcasing the hard work and traditional methods employed by Irish workers. The image captures a group of men and women diligently removing flax from the bog, where it had been placed for an extended period to separate its rind from the stem. The flax is then hung out to dry before being heated and broken up. This labor-intensive task required great skill and patience. Surrounded by a picturesque woodland setting, horses play an integral role in this scene as they assist with transporting both workers and materials. A fire burns nearby, providing warmth during this demanding endeavor. The print not only showcases the beauty of rural life but also highlights Ireland's rich history in linen production. It serves as a reminder of how these age-old traditions have shaped communities and economies throughout time. This colored engraving by William Hincks offers us a glimpse into an important chapter of Irish heritage, capturing both the natural environment and human ingenuity at work. As we admire this piece from Fine Art Finder's collection, let us appreciate the dedication and craftsmanship that went into creating such exquisite linens that were once cherished around the world.
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