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Muslim fakir or faqir penitents performing prayers and mortification. Udbahu with raised arm, and others praying standing, seated or lying down. Handcoloured copperplate drawn
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Muslim fakir or faqir penitents performing prayers and mortification. Udbahu with raised arm, and others praying standing, seated or lying down. Handcoloured copperplate drawn
FLO4623799 Muslim fakir or faqir penitents performing prayers and mortification. Udbahu with raised arm, and others praying standing, seated or lying down. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. by Bernieri, Andrea (1792-1849); (add.info.: Muslim fakir or faqir penitents performing prayers and mortification. Udbahu with raised arm, and others praying standing, seated or lying down. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.); © Florilegius
Media ID 31971563
© Florilegius / Bridgeman Images
Andrea Bernieri Ascetic Fakir Faqir Francois Solvyns Giulio Ferrario Mortification Copperplate Engraving Florilegius Handcoloured
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EDITORS COMMENTS
This print captures a scene of Muslim fakir or faqir penitents engaged in prayers and mortification. The central figure, Udbahu, stands with his arm raised in devotion, while others around him pray in various positions - some standing, some seated, and even some lying down. The handcoloured copperplate drawing by Andrea Bernieri after Francois Solvyns beautifully depicts the solemnity and dedication of these individuals as they seek spiritual enlightenment through their ascetic practices. Each detail is meticulously rendered to convey the intensity of their religious fervor. Taken from Giulio Ferrario's renowned work "Ancient and Modern Costumes of all the Peoples of the World" this engraving offers a glimpse into the diverse cultures and traditions that exist across the globe. It serves as a testament to humanity's universal pursuit of faith and connection with something greater than ourselves. Dating back to 1844 Florence, Italy, this image has stood the test of time as an enduring representation of religious devotion. Its inclusion in Bridgeman Images' collection showcases its significance within art history. As we observe these Muslim fakirs or faqirs deep in prayer and mortification, we are reminded of the power that spirituality holds for individuals across different cultures throughout history. This print invites us to contemplate our own beliefs and reflect on how they shape our lives today.
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