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Hell, 1614 (detail of 3498680)

Hell, 1614 (detail of 3498680)


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Hell, 1614 (detail of 3498680)

3498684 Hell, 1614 (detail of 3498680) by Rovere, Giovanni Mauro della (called Fiamminghino) (c.1575-1640); Chiesa di Sant Eusebio, Peglio, Como, Lombardy, Italy; (add.info.: Peglio,s Eusebio, Fiammenghino, Inferno Particolare 1614); Photo eMauro Ranzani; Italian, out of copyright

Media ID 23629524

© Mauro Ranzani / Bridgeman Images

Damned Demons Devil Devils Guilt Hell Monsters Punishments Torment Flames


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> Arts > Artists > A > Andrea the Elder Appiani

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> Fine Art Finder > Artists > Andrea the Elder Appiani

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EDITORS COMMENTS
This print showcases a mesmerizing detail of "Hell, 1614" by Giovanni Mauro della Rovere, also known as Fiamminghino. The artwork can be found in the Chiesa di Sant Eusebio in Peglio, Como, Lombardy, Italy. The image transports us into a nightmarish realm filled with unimaginable suffering and torment. Fiamminghino's masterful brushstrokes bring to life an infernal landscape where demons and devils reign supreme. Flames engulf the damned souls who writhe in agony while monstrous creatures lurk menacingly in the shadows. Every inch of this detail is meticulously crafted to evoke feelings of fear and guilt within the viewer. The intensity of the fire illuminates each figure's twisted expression, capturing their eternal damnation for all eternity. As we gaze upon this haunting scene, we are reminded of humanity's darkest fears and deepest sins. It serves as a stark reminder that our actions have consequences and that there may be an ultimate price to pay for our transgressions. This powerful photograph captures not only the physical details but also the emotional weight carried within Fiamminghino's original fresco painting. Through its vivid depiction of punishments and torments endured by lost souls, it invites contemplation on themes such as sin, redemption, and mortality. In summary, this print offers a glimpse into Hell itself - an immersive experience that leaves viewers both captivated by its artistic brilliance and unsettled by

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