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Orestes and Pyrrhus, illustration from Act I Scene 2 of Andromaque by Jean Racine
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Orestes and Pyrrhus, illustration from Act I Scene 2 of Andromaque by Jean Racine
XIR239569 Orestes and Pyrrhus, illustration from Act I Scene 2 of Andromaque by Jean Racine (1639-99) engraved by Mathieu (19th century) (engraving) (b/w photo) by Girodet de Roucy-Trioson, Anne Louis (1767-1824) (after); Bibliotheque de L Arsenal, Paris, France; (add.info.: inspired by classical Greek and Roman art; ); French, out of copyright
Media ID 12768808
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Ambassador Discussing Draped Drapery Fonds Rondel French Drama Gesturing Greco Roman Neoclassical Neoptolemus Refusing Sandals Theatrical Toga Tragedy Trojan War Neo Classical Oreste
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EDITORS COMMENTS
This print captures a pivotal moment in Jean Racine's tragic play, Andromaque. The illustration depicts Orestes and Pyrrhus engaged in an intense conversation during Act I Scene 2. Engraved by Mathieu in the 19th century, this image is based on the original artwork by Anne Louis Girodet de Roucy-Trioson. The scene showcases the influence of classical Greek and Roman art on French drama, as both characters are adorned in traditional Greco-Roman attire. Orestes, draped in a toga with sandals and a cloak, stands before Pyrrhus who sits regally upon his throne. Their gestures convey deep emotion as they discuss an important matter. Orestes appears resolute yet troubled while gesturing passionately towards Pyrrhus, who listens attentively but seems hesitant or perhaps even refusing something. This dramatic gesture adds intensity to their exchange and highlights the theatrical nature of the play. Neoptolemus, also known as Pyrrhus, was the king of Epirus and played a significant role in the Trojan War. Orestes serves as an ambassador representing another faction involved in this ancient conflict. The neoclassical style of Girodet's artwork brings these historical figures to life once again through intricate details such as their drapery and costumes. This print from Bibliotheque de L'Arsenal allows us to appreciate not only Racine's timeless tragedy but also the enduring beauty
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