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L Assiette au Beurre, number 387, Satirical in Colors, 1908_8_29
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L Assiette au Beurre, number 387, Satirical in Colors, 1908_8_29
ICA4909142 L Assiette au Beurre, number 387, Satirical in Colors, 1908_8_29 by Ostoya, Georges d (Dochinsky or Sochinsky) (1878-1937); (add.info.: War, Antisemitism, Turkey, Stock Exchange - Illustration by George of Ostoya-Sochinsky (D Ostoya) (1878-1937)); Photo © Caricadoc
Media ID 25900286
© Caricadoc / Bridgeman Images
Anti Semitism Blood Central Turkey Daily Newspaper Economy Exchange Islamic Religion Jews Judaic Muslim Religion Newspaper Stand Ottoman Empire Sabre Skeleton State Newspaper Turkey Country Turkish Culture Caricadoc Gravure Engraving Jewish Religion Journalism Turk Years 1900
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EDITORS COMMENTS
The print titled "L Assiette au Beurre, number 387, Satirical in Colors, 1908_8_29" captures a powerful and thought-provoking image that reflects the socio-political climate of its time. Created by Georges d'Ostoya (Dochinsky or Sochinsky) in 1908, this illustration from the French satirical magazine L'Assiette au Beurre addresses themes of war, antisemitism, and the stock exchange. In this intricate engraving, we see a vivid allegory unfold before our eyes. A flag-waving horseman representing France charges forward amidst chaos and destruction. The architecture surrounding him symbolizes power structures such as religion and economy. However, what makes this artwork particularly striking is its depiction of anti-Semitism. A skeleton figure with Jewish religious symbols clings to the arm of an Ottoman Empire soldier wielding a sabre. This juxtaposition highlights the complex dynamics between different religions and cultures during that era. Through Ostoya's masterful execution, he manages to convey both historical context and contemporary commentary on issues still relevant today. The artist's use of color adds depth to the scene while emphasizing the bloodshed caused by war. This print serves as a poignant reminder of humanity's capacity for prejudice and violence throughout history. It invites viewers to reflect on these themes while appreciating Ostoya's artistic skill in capturing such complex subject matter.
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