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The semicircular ionic portico, detail of the ceiling vault depicting a putto feeding a

The semicircular ionic portico, detail of the ceiling vault depicting a putto feeding a


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The semicircular ionic portico, detail of the ceiling vault depicting a putto feeding a

BEN107132 The semicircular ionic portico, detail of the ceiling vault depicting a putto feeding a young satyr grapes, 1551-55 (fresco) by Venale, Pietro (fl.1541-83); Villa Giulia, Rome, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Media ID 22343524

© Raffaello Bencini / Bridgeman Images

Pergola Sotto In Su Trompe L Oeil Trompe Loeil Vine


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EDITORS COMMENTS
This print showcases the exquisite beauty of the semicircular ionic portico, a true masterpiece of Renaissance architecture. The attention to detail is evident in every aspect of this stunning image, particularly in the intricate ceiling vault. Here, we are treated to a glimpse of an enchanting fresco depicting a putto delicately feeding grapes to a young satyr. The playfulness and innocence captured in this scene transport us back to a bygone era where mythological creatures roamed freely. The artist, Pietro Venale, skillfully brings these characters to life with his masterful brushstrokes and impeccable use of color. As we gaze upon this remarkable piece, our eyes are drawn not only to the central figures but also to the surrounding elements that complete the composition. Lush vines intertwine above our heads, creating an ethereal pergola that adds depth and dimensionality to the artwork. A bird perched on one of these vines seems almost tangible as it gazes down at the unfolding scene below. The technique employed here is known as trompe l'oeil or "fool the eye" where realistic imagery is used to create an illusionistic effect. This artistic approach adds another layer of intrigue and wonderment to an already mesmerizing piece. In capturing this photograph, Raffaello Bencini has expertly preserved both the grandeur and intimacy found within Villa Giulia's interior garden. It serves as a testament not only to Venale's artistic prowess but also

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