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The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry)
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The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry)
CUL4900951 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier, Pasquier (fl.1447-93) (workshop of); Museo Parroquial de Tapices de Pastrana, Guadalajara, Spain; (add.info.: The Pastrana Tapestries: Siege of Asilah. ca. 1471 - 1475. (428 (izq.)/422 (der.) x 1078 cm). Alfonso V of Portugal, "" the African"" (1425-1481). King of Portugal (1438-1481). Detail of the Prince John entering the camp. Cloth number 2 of the series on the Conquest of Asilah and Tangier in 1471 by Alfonso V of Portugal. Manufacturing of Tournai, probably from the workshop of Passchier Grenier. Flemish art. Tapestry. SPAIN. CASTILE-LA-MANCHA. GUADALAJARA. Pastrana. Collegiate Tapestries Pastrana Museum); Photo © Maeyaert/AIC
Media ID 38168584
© Photo © Maeyaert/AIC / Bridgeman Images
1471 1475 1471 1475 Africa African African Alcarria Alfonso 5 King Of Portugal Alfonso V King Of Portugal (1432 1481) Amred Forces Appcultura Arab Culture Banner Blockade Castile La Mancha Castilla La Mancha Cities Collegiate Tapestries Pastrana Museum Conquest Decorative Arts Early Modern Era English Empire Flemish Style Guadalajara Hainaut Invasion Maghreb Maghrebi Maghrebian Maghrebin Maghrebine Moroccan Morocco Pastrana Portugal Portuguese Tapestrey Tapestries The Pastrana Tapestries Tournai Tournay Turned Wallonia Western Art
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EDITORS COMMENTS
This stunning print captures the intricate details of The Pastrana Tapestries, a masterpiece of Flemish art depicting the Siege of Asilah in the 15th century. Created in the manufacturing hub of Tournai, possibly from the workshop of Passchier Grenier, these tapestries showcase a pivotal moment in history when Alfonso V of Portugal, known as "the African," led his army to conquer Asilah and Tangier.
In this particular scene depicted on cloth number 2 of the series, we see Prince John entering the camp with an air of determination and bravery. The vibrant colors and meticulous craftsmanship bring this battle scene to life, showcasing the skill and artistry of the craftsmen involved.
The tapestries not only serve as a historical record but also highlight the rich cultural exchange between Europe and North Africa during this period. From armor-clad soldiers to regal kings, every detail is meticulously woven into these tapestries, transporting viewers back in time to witness this epic confrontation.
Displayed at Museo Parroquial de Tapices de Pastrana in Guadalajara, Spain, these tapestries are a testament to human creativity and ingenuity. They stand as a reminder of our shared past and continue to inspire awe and admiration centuries after their creation.
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