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Lochleven Castle, Scotland, the prison of Mary, Queen of Scots in 1567-1568 (engraving)

Lochleven Castle, Scotland, the prison of Mary, Queen of Scots in 1567-1568 (engraving)


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Lochleven Castle, Scotland, the prison of Mary, Queen of Scots in 1567-1568 (engraving)

3638986 Lochleven Castle, Scotland, the prison of Mary, Queen of Scots in 1567-1568 (engraving) by Smith, Charles John (1803-38); Private Collection; (add.info.: Lochleven Castle, Scotland, the prison of Mary, Queen of Scots in 1567-1568.); Look and Learn / Valerie Jackson Harris Collection

Media ID 25133868

© Look and Learn / Valerie Jackson Harris Collection / Bridgeman Images

Imprisonment Lochleven Castle Mary I Of Scotland Mary Queen Of Scots Prison


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> Arts > Artists > J > John Jackson

> Arts > Artists > S > Charles John Smith

> Arts > Artists > S > Charles Smith

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> Europe > United Kingdom > Scotland > Castles

> Europe > United Kingdom > Scotland > Posters

> Europe > United Kingdom > Scotland > Related Images

> Fine Art Finder > Artists > B. Cole

> Fine Art Finder > Artists > Charles John Smith

> Services > British Army > Royal Scots Greys


EDITORS COMMENTS
This engraving by Charles John Smith takes us back to the 16th century, depicting Lochleven Castle in Scotland. The castle's historical significance lies in its role as the prison of Mary, Queen of Scots from 1567 to 1568. Imprisoned within these stone walls, Mary I of Scotland endured a period of great turmoil and uncertainty. The image showcases the imposing structure nestled amidst a picturesque landscape adorned with lush trees. These towering sentinels stand witness to the secrets held within the castle's confines, symbolizing both imprisonment and resilience. Lochleven Castle serves as a poignant reminder of the power struggles that defined Scottish history during this era. It was here that Mary Queen of Scots faced numerous challenges to her reign and ultimately abdicated in favor of her infant son James VI. Beyond its historical context, this engraving also highlights the intersection between botany and natural history during this time period. The inclusion of trees emphasizes not only their aesthetic beauty but also their scientific importance as objects for study. Through Smith's meticulous artistry, we are transported back in time to witness an important chapter in British monarchy unfold before our eyes. This print invites us to reflect on the complexities and intrigues surrounding royalty while appreciating both nature's grandeur and humanity's quest for knowledge.

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