Home > Arts > Artists > S > Charles John Smith
Lochleven Castle, Scotland, the prison of Mary, Queen of Scots in 1567-1568 (engraving)
![View Fine Art Finder Prints Fine Art Finder](/templates/printstore/2998/images/logo_60x60.gif)
Wall Art and Photo Gifts from Fine Art Finder
Lochleven Castle, Scotland, the prison of Mary, Queen of Scots in 1567-1568 (engraving)
3638986 Lochleven Castle, Scotland, the prison of Mary, Queen of Scots in 1567-1568 (engraving) by Smith, Charles John (1803-38); Private Collection; (add.info.: Lochleven Castle, Scotland, the prison of Mary, Queen of Scots in 1567-1568.); Look and Learn / Valerie Jackson Harris Collection
Media ID 25133868
© Look and Learn / Valerie Jackson Harris Collection / Bridgeman Images
Imprisonment Lochleven Castle Mary I Of Scotland Mary Queen Of Scots Prison
FEATURES IN THESE COLLECTIONS
> Arts
> Artists
> J
> John Jackson
> Arts
> Artists
> S
> Charles John Smith
> Arts
> Artists
> S
> Charles Smith
> Arts
> Artists
> S
> Mary Smith
> Europe
> United Kingdom
> Scotland
> Castles
> Europe
> United Kingdom
> Scotland
> Posters
> Europe
> United Kingdom
> Scotland
> Related Images
> Fine Art Finder
> Artists
> B. Cole
> Fine Art Finder
> Artists
> Charles John Smith
> Services
> British Army
> Royal Scots Greys
EDITORS COMMENTS
This engraving by Charles John Smith takes us back to the 16th century, depicting Lochleven Castle in Scotland. The castle's historical significance lies in its role as the prison of Mary, Queen of Scots from 1567 to 1568. Imprisoned within these stone walls, Mary I of Scotland endured a period of great turmoil and uncertainty. The image showcases the imposing structure nestled amidst a picturesque landscape adorned with lush trees. These towering sentinels stand witness to the secrets held within the castle's confines, symbolizing both imprisonment and resilience. Lochleven Castle serves as a poignant reminder of the power struggles that defined Scottish history during this era. It was here that Mary Queen of Scots faced numerous challenges to her reign and ultimately abdicated in favor of her infant son James VI. Beyond its historical context, this engraving also highlights the intersection between botany and natural history during this time period. The inclusion of trees emphasizes not only their aesthetic beauty but also their scientific importance as objects for study. Through Smith's meticulous artistry, we are transported back in time to witness an important chapter in British monarchy unfold before our eyes. This print invites us to reflect on the complexities and intrigues surrounding royalty while appreciating both nature's grandeur and humanity's quest for knowledge.
MADE IN AUSTRALIA
Safe Shipping with 30 Day Money Back Guarantee
FREE PERSONALISATION*
We are proud to offer a range of customisation features including Personalised Captions, Color Filters and Picture Zoom Tools
SECURE PAYMENTS
We happily accept a wide range of payment options so you can pay for the things you need in the way that is most convenient for you
* Options may vary by product and licensing agreement. Zoomed Pictures can be adjusted in the Cart.