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After the Battle of Prestonpans, 21 Sept 1745, 1849 (oil on canvas)

After the Battle of Prestonpans, 21 Sept 1745, 1849 (oil on canvas)


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After the Battle of Prestonpans, 21 Sept 1745, 1849 (oil on canvas)

BAL37408 After the Battle of Prestonpans, 21 Sept 1745, 1849 (oil on canvas) by McIan, Fanny (1814-97); 50.8x94 cm; Private Collection; (add.info.: The Battle of Prestonpans was the first significant conflict in the 1745 Jacobite Rising on 21st September. The Jacobites loyal to James Francis Edward Stuart were led by his son Charles Edward Stuart and defeated the government army loyal to the Hanoverian George II led by Sir John Cope, who were outflanked in the face of a highland charge.
Initially known as the Battle of Gladsmuir, it was actually fought at Prestonpans, East Lothian
Soldiers wives awaiting the results of the battle?); English, out of copyright

Media ID 22808072

© Bridgeman Images

Anxiety Bayonet Bonnie Prince Charlie Highland Jacobite Jacobite Rebellion Jacobites Musket Rebellion Redcoat Revolt Rising Romanticism Scots Stuart Tension Waiting Young Pretender Forty Five Mcian


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Romanticism

> Arts > Artists > K > Barend Cornelis Koekkoek

> Arts > Fine Art

> Europe > United Kingdom > Scotland > East Lothian > Prestonpans

> Europe > United Kingdom > Scotland > Highlands > Related Images

> Europe > United Kingdom > Scotland > Lothian > Related Images

> Europe > United Kingdom > Scotland > Paintings

> Fine Art Finder > Artists > Barend Cornelis Koekkoek

> Fine Art Finder > War & Military Scenes Pre-20th Century


After the Battle of Prestonpans, 21 Sept 1745

EDITORS COMMENTS
is a captivating oil painting by Fanny McIan that depicts the aftermath of a significant conflict during the Jacobite Rising. The scene showcases soldiers' wives anxiously awaiting news of their loved ones amidst the backdrop of a war-torn landscape. The battle, led by Charles Edward Stuart and his loyal Jacobites, resulted in a resounding victory over the government army. Outflanked and overwhelmed, Sir John Cope's forces were no match for the fierce highland charge. This pivotal moment marked an early success for Bonnie Prince Charlie's rebellion against George II's Hanoverian rule. McIan masterfully captures the tension and anxiety felt by these women as they await word on their husbands' fate. Their faces reflect both hope and fear, while their body language conveys an underlying sense of strength and resilience. This painting not only serves as a historical record but also embodies elements of romanticism prevalent during its creation in 1849. Through her use of color and composition, McIan transports viewers to this tumultuous period in Scottish history. As we gaze upon this artwork, we are reminded of the sacrifices made by those who fought for their beliefs and challenged established authority. It stands as a testament to both human resilience and our enduring fascination with stories of rebellion and revolution.

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