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Ouveuse de loge - Usher at a lodge, Paris, early 19th century, in brown coat, black apron, white lace bonnet, holding a key and carrying a stool and a wooden case - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie

Ouveuse de loge - Usher at a lodge, Paris, early 19th century, in brown coat, black apron, white lace bonnet, holding a key and carrying a stool and a wooden case - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie


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Ouveuse de loge - Usher at a lodge, Paris, early 19th century, in brown coat, black apron, white lace bonnet, holding a key and carrying a stool and a wooden case - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie

FLO4658490 Ouveuse de loge - Usher at a lodge, Paris, early 19th century, in brown coat, black apron, white lace bonnet, holding a key and carrying a stool and a wooden case - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from " Ouvrieres de Paris" (Tradeswomen of Paris), Paris, 1823; (add.info.: Ouveuse de loge - Usher at a lodge, Paris, early 19th century, in brown coat, black apron, white lace bonnet, holding a key and carrying a stool and a wooden case - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from " Ouvrieres de Paris" (Tradeswomen of Paris), Paris, 1823); © Florilegius

Media ID 38327548

© © Florilegius / Bridgeman Images

Accessoire Apron Casket Chapeau Coffret Dentelle Femme Au Travail Francaise Manteau Meuble Mode 19eme Spectateur Spectator Stool Tablier Tabouret Travail Vetement Woman At Work 19th Mode Femme Metier


EDITORS COMMENTS
This handcoloured copperplate engraving captures the essence of a tradeswoman in early 19th century Paris. The Ouveuse de loge, or Usher at a lodge, is depicted in her brown coat, black apron, and white lace bonnet, exuding an air of professionalism and elegance. She holds a key in one hand and carries a stool and wooden case with the other, showcasing her dedication to her work. The intricate details of her attire and accessories reflect the fashion trends of the time, from the delicate lace to the practical apron. The artist has skillfully captured not just her appearance but also her role as a working woman in Paris during this period. As we gaze upon this engraving, we are transported back to a bygone era where craftsmanship and attention to detail were valued. The Ouveuse de loge stands as a symbol of female empowerment and independence, breaking barriers in traditionally male-dominated professions. This print serves as a reminder of the rich history and cultural heritage of Parisian tradeswomen who played vital roles in shaping society. It is a testament to their strength, resilience, and contribution to the workforce during an era marked by rapid industrialization and social change.

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