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Pope Eugene III died in 1153. Saint Bernard of Clairvaux (San Bernardo di Chiaravalle

Pope Eugene III died in 1153. Saint Bernard of Clairvaux (San Bernardo di Chiaravalle


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Pope Eugene III died in 1153. Saint Bernard of Clairvaux (San Bernardo di Chiaravalle

LRI4665347 Pope Eugene III died in 1153. Saint Bernard of Clairvaux (San Bernardo di Chiaravalle) (1090-1153). Armes de Jacques d Armagnac, Duke of Nemours Miniature in " Le miroir historial" (Speculum Historiale) (ms. 1196) by Vincent de Beauvais (1190-1264) translated into French by Jean de Vignay, 15th century. Chantilly, Musee Conde by Unknown Artist, (15th century); Musee Conde, Chantilly, France; (add.info.: Pope Eugene III died in 1153. Saint Bernard of Clairvaux (San Bernardo di Chiaravalle) (1090-1153). Armes de Jacques d Armagnac, Duke of Nemours Miniature in " Le miroir historial" (Speculum Historiale) (ms. 1196) by Vincent de Beauvais (1190-1264) translated into French by Jean de Vignay, 15th century. Chantilly, Musee Conde); Luisa Ricciarini; out of copyright

Media ID 22829460

© Luisa Ricciarini / Bridgeman Images

12 12th 12th Xii 12th 13th Century Balance Saint Bernard Of Clairvaux 1090 1153 Weight And Measurement Aureole


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EDITORS COMMENTS
This print showcases a remarkable miniature from the 15th century manuscript "Le miroir historial" (Speculum Historiale) by Vincent de Beauvais, translated into French by Jean de Vignay. The artwork depicts an important moment in history: the death of Pope Eugene III in 1153 and the revered Saint Bernard of Clairvaux, who passed away in the same year. The intricate details of this illuminated manuscript are truly awe-inspiring. In the center, we see Pope Eugene III lying peacefully on his deathbed, surrounded by clergy members paying their respects. A heavenly aura envelops him as angels descend from above to guide his soul to eternal rest. To the left of the scene stands Saint Bernard of Clairvaux, depicted with great reverence and authority. As one of the most influential figures in medieval Christianity, he played a crucial role in shaping religious thought during his lifetime. Adding further significance to this artwork is the inclusion of Jacques d'Armagnac's coat-of-arms, symbolizing his connection to these historical events as Duke of Nemours. Preserved at Musee Conde in Chantilly, France, this masterpiece serves as a testament to both artistic skill and historical documentation. Through its delicate brushstrokes and meticulous attention to detail, it transports us back centuries ago when these pivotal figures shaped our world with their actions and beliefs.

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