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L apotre Jacques et le prophete Sophonie - The Apostle James the Great and the prophet Zephaniah, by Pinturicchio, Bernardino, Workshop of (1454-1513). Fresco, 1492-1495. Apostolic Palace, Vatican
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L apotre Jacques et le prophete Sophonie - The Apostle James the Great and the prophet Zephaniah, by Pinturicchio, Bernardino, Workshop of (1454-1513). Fresco, 1492-1495. Apostolic Palace, Vatican
FIA5410152 L apotre Jacques et le prophete Sophonie - The Apostle James the Great and the prophet Zephaniah, by Pinturicchio, Bernardino, Workshop of (1454-1513). Fresco, 1492-1495. Apostolic Palace, Vatican by Pinturicchio, Bernardino di Betto (c.1452-1513) (workshop of); Vatican Museums and Galleries, Vatican City; Photo © Fine Art Images
Media ID 24739596
© Fine Art Images / Bridgeman Images
Aureola Freco Prophet Saint James The Greater Two Persons Vatican Apostle Quattrocento
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EDITORS COMMENTS
This print showcases the stunning fresco "L'apotre Jacques et le prophete Sophonie - The Apostle James the Great and the prophet Zephaniah" by Pinturicchio, a renowned artist from the Quattrocento period. Created between 1492 and 1495, this masterpiece can be found in the Apostolic Palace within Vatican City. The artwork depicts two significant figures from biblical history: Saint James the Greater, one of Jesus Christ's apostles, and Zephaniah, an Old Testament prophet. Both individuals are portrayed with vibrant colors that bring them to life on the wall painting. Saint James is adorned with an aureola or halo around his head, signifying his saintly status. Pinturicchio's attention to detail is evident in every brushstroke of this Renaissance piece. The intricate details of their clothing and facial expressions showcase his mastery as an artist. The use of color adds depth and richness to this religious scene. As we gaze upon this print, we are transported back in time to witness these two influential figures side by side. Their presence reminds us of their important roles in Christian history and offers a glimpse into Italy's artistic heritage during the fifteenth century. This print captures not only a remarkable work of art but also serves as a testament to Pinturicchio's talent as well as our enduring fascination with religious iconography throughout history.
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