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La princesse Eudocie (Eudoxie) (408-460) devant la tombe de saint Etienne - Princess Eudoxia before the Tomb of Saint Stephen - Peinture de la famille Vergos (active fin 15eme siecle) - c
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La princesse Eudocie (Eudoxie) (408-460) devant la tombe de saint Etienne - Princess Eudoxia before the Tomb of Saint Stephen - Peinture de la famille Vergos (active fin 15eme siecle) - c
FIA5400139 La princesse Eudocie (Eudoxie) (408-460) devant la tombe de saint Etienne - Princess Eudoxia before the Tomb of Saint Stephen - Peinture de la famille Vergos (active fin 15eme siecle) - c. 1495 - Tempera on panel - 192, 3x114 - Museu Nacional d Art de Catalunya, Barcelona by Vergos, Pau (c.1465-95); Museu Nacional d Art de Catalunya, Barcelona, Spain; Photo © Fine Art Images
Media ID 24743618
© Fine Art Images / Bridgeman Images
5 5th V Vth Century Beggar Believer Byzantine Empire Crutch Cult Dragon Ex Voto Gothic Art Princess Prostration Santo Wooden Leg Several People
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This print captures the essence of Princess Eudoxia standing before the tomb of Saint Stephen. Painted by the talented Vergos family in the late 15th century, this masterpiece showcases their mastery of tempera on panel technique. The painting measures an impressive 192.3x114 cm and is housed in the Museu Nacional d'Art de Catalunya in Barcelona. Princess Eudoxia, known for her devout faith and unwavering belief, is depicted with a sense of reverence as she pays homage to Saint Stephen's final resting place. Surrounding her are several individuals, including a beggar leaning on a crutch and a couple deep in prayer - all united by their shared devotion. The vibrant colors used by Vergos bring life to every detail within this gothic art piece. From the intricate patterns adorning Princess Eudoxia's gown to the rich hues illuminating each figure present, it is clear that no element was overlooked. As we gaze upon this extraordinary work, we are transported back to Byzantine Empire times where rituals and cults were deeply intertwined with daily life. The presence of a dragon symbolizes both danger and protection while emphasizing the power of faith against adversity. Intriguingly, there is also a wooden leg visible near one individual - perhaps representing physical affliction overcome through religious conviction. Overall, this painting serves as an ex voto - an expression of gratitude or supplication offered to saints - showcasing not only artistic brilliance but
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