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Grand Ascension of the Miller Tabernacle, Broadside depicting the End of
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Grand Ascension of the Miller Tabernacle, Broadside depicting the End of
1077620 Grand Ascension of the Miller Tabernacle, Broadside depicting the End of the World, 1844 (litho) by American School, (19th century); Collection of the New-York Historical Society, USA; eNew York Historical Society; American, out of copyright
Media ID 23028936
© New York Historical Society / Bridgeman Images
Apocalypse Apocalyptic Ascending Ascension Broadside Chaos Declaration Depicting Despair End Of The World Grand Hysteria Miller Panic Prophecy Prophetic Skies Tabernacle Turmoil Fear Fulfillment
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This print captures the dramatic scene of the "Grand Ascension of the Miller Tabernacle" a broadside depicting the End of the World in 1844. Created by an anonymous American artist from the 19th century, this lithograph is now part of the esteemed collection at the New-York Historical Society. The image portrays a prophetic and apocalyptic moment, with chaos and despair filling every corner. The sky above is filled with turmoil as dark clouds gather, symbolizing impending doom. The grand tabernacle stands tall amidst this declaration of an imminent end, its ascending structure representing both hope and fear. As one gazes upon this engraving, a sense of hysteria and panic can be felt emanating from within America during that time period. The skies themselves seem to reflect these emotions, amplifying feelings of uncertainty and trepidation. Intriguingly detailed, this artwork showcases not only skilled craftsmanship but also serves as a visual representation of millennialist beliefs prevalent during that era. It encapsulates both fascination and dread surrounding prophecies about humanity's ultimate fate. With its historical significance intact, this print invites viewers to contemplate their own mortality while marveling at how past generations grappled with similar existential questions. A powerful reminder that even in moments of despair or fulfillment, art has always been there to capture our collective imagination.
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