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The Verdun Altar, depicting biblical scenes, 1181 (champleve enamelwork
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The Verdun Altar, depicting biblical scenes, 1181 (champleve enamelwork
KLN146820 The Verdun Altar, depicting biblical scenes, 1181 (champleve enamelwork) (left part of central panel) (for other panels see 146819, 146821-823) by Nicholas of Verdun (fl.1181-1205); Stiftsmuseum, Klosterneuburg, Austria; (add.info.: for translation of latin inscription see internet; ); eStiftmuseum Klosterneuburg; Netherlandish, out of copyright
Media ID 23224566
© Stiftmuseum Klosterneuburg / Bridgeman Images
Baptism Crucifixion Enamel Last Supper Passion Triptych Entry Into Jerusalem
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The Verdun Altar - A Masterpiece of Champlevé Enamelwork
EDITORS COMMENTS
. This print showcases the left part of the central panel of "The Verdun Altar" a remarkable piece of art created by Nicholas of Verdun in 1181. The altarpiece, located at Stiftsmuseum in Klosterneuburg, Austria, is an exquisite example of champlevé enamelwork. Depicting various biblical scenes, this triptych altar mesmerizes viewers with its intricate details and vibrant colors. Each panel tells a different story from both the Old and New Testaments, transporting us back to medieval times. In this particular section captured by Bridgeman Images, we are drawn into the entry into Jerusalem scene. We witness Christ's triumphant arrival as he is welcomed by adoring crowds waving palm branches. This momentous event symbolizes hope and salvation for believers. As our eyes wander across the image, we can't help but appreciate Nicholas of Verdun's exceptional craftsmanship. The delicate enamel technique used here involves carving out hollows on metal surfaces and filling them with colored enamels before firing them to create a durable masterpiece that has stood the test of time. "The Verdun Altar" not only serves as a religious artifact but also as a testament to human creativity and devotion throughout history. It reminds us that art has always been intertwined with spirituality, inspiring awe and contemplation for centuries to come.
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